Weekly Adventure: After the Blast at the Claire Tow Theater

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I’m not usually a huge fan of dystopias. I know that might seem odd given that the last time I actually got around to writing a theater review was when I went to 1984, but it’s true. So the premise of After the Blast, generations after an ecological disaster people live in highly regulated underground compounds where they rely on chips in their brains to taste food or experience the outside world, wouldn’t have exactly grabbed me on its own. But the name Zoe Kazan almost always will. I love her as an actor, and her debut film as a screenwriter (Ruby Sparks) as always stuck with me.  So I was very excited when I got an email from Lincoln Center Theater that I could get LincTix to her new play.

And I am so glad that I did! Despite it’s extremely high concept premise, this is really a character study, or maybe a relationship study. The main female character, played wonderfully by Cristin Milloti, is a woman struggling with depression and Vitamin D deficiency (hard to image that they all wouldn’t be), who wants to start a family with her husband, the charming William Jackson Harper, but hasn’t yet passed the mental health evaluation to be allowed. So, naturally, he sets her up with a companion robot.

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Photo Credit: TheaterMania/Jeremy Daniel

It should be hokey, but it isn’t. It’s emotional and funny and raw. It’s both a glimpse at a possible (maybe uncomfortably so) future and a meditation on why it is important to keep fighting for hope in the present. It’s really good and I want a copy of it to read and underline and think about for a long time. If you’re in New York you should go.

The show runs through November 19th at the Claire Bow Theater at Lincoln Center 

 

 

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Awards Show Round Up: Emmys 2017

So with the notable (and frankly disturbing) exception of the inexplicable inclusion of Sean Spicer, last night’s Emmys were one of the best I can remember. Usually the show starts to drag around hour 3, but last night’s combination of skilled (but not overly intrusive) hosting and genuinely surprising/deserved wins made for a fun few hours. Here are my highlights:

I love a musical number and Stephen Colbert did not disappoint (love that Chance interlude too!):

(As always these videos will probably go away with copyright claims…)

I love John Lithgow, though I would have given this one to Ron Cephas Jones…

I want to give Kate McKinnon all of the awards always:

The SNL sweep continued, and I will never be surprised at Lorne Michaels’s ability to appear on the edge of falling asleep at all times:

(Also Anna Farris and Allison Janney are just the best.)

Also pretty happy to see this stunt casting lead to this:

I have always, and will always want to be these women when I grow up:

John Oliver is pretty great:

I LOVE ANN DOWD:

On a serious note,”Thanksgiving” is once of the best episodes of any show ever, and this speech was amazing:

Riz Ahmed is amazing:

Reese Witherspoon for entertainment president:

STERLING!!!!

It is BS that they played him off, Laura Dern and Nicole Kidman (both of whom I love) talked forever…

And then right at the end there, Margaret Atwood was there:

Other notes: I really need to watch Atlanta; It’s time to put JLD in an Emmy pantheon and spread the comedy actress love around a bit. It was a fucking fantastic year for women. (I need to watch Big Little Lies too.

Fashion wise, it was a mixed bag. Weird flowy skirts over leotards and strange feather duster fringe bottoms, but there were some great looks:

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Jane Fonda in Brandon Maxwell (Photo Credit: Getty)

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Millie Bobby Brown in Calvin Klein (Photo Credit: Getty)

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Nicole Kidman in Calvin Klein (Photo Credit: Getty/Jason Merritt)

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Kate McKinnon in Narcisco Rodriguez (Photo Credit: Rob Latour/Variety/Shutterstock)

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Reed Marano (Photo Credit: Strauss/Invision/AP)

(BTW I may design my future wedding dress based on this gown. I’m in love with it.)

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Jessica Biel in Ralph & Russo Couture (Photo Credit: J. Merritt/Getty Images)

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Gugu Mbatha-Raw in Boss (Photo Credit: Getty/Frazer Harrison)

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Susan Kelechi Watson in Cristina Ottaviano (Photo Credit: Frazer Harrison/Getty Images)

Happy Friday Music

Although a gray cloud has descended over Astoria this afternoon, I have a lot of fun plans this weekend, and thought I would post a soundtrack to start your weekend off on fun foot. (Full disclosure, a lot of these songs come from the TBTL Song of the Summer contest.)

Praying – Kesha

OK, so this may not be the most “fun” foot to start on, but this video of fans reacting to her high note is…

Sinking – Super Defense

In & Out – Beth Ditto 

Want You Back– HAIM

Bambi– Jidenna

Sweet Creature– Harry Styles

Also, just to follow up from last post, yes he can act. And you should see Dunkirk. (I’m sure I’ll be blogging more about this around awards season…)

Spirit– Belle Game

Dirty Work– Steely Dan

I was including this as a tribute to Walter Becker (who recently passed away), but the fact that the second video to pop up on a YouTube search is an American Hustle clip reel is pretty great.

Hey Now – The Regrettes

Things I’ve Been Meaning to Blog About

I think at this point I should just admit that I take the month of August off from blogging and stop promising that I will write about things I do during that month. Anyway, here are some things I meant to blog about:

Call Me By Your Name by André Aciman

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Based mostly on watching this trailer about 20 times the week it came out, I went and got this book out of the library, and I loved it. Miró and I discussed on a couple of episodes of our podcast, that one of the things that we love about Rainbow Rowell’s books (which are very different from this, but stay with me), is that she captures the sense of adolescent longing incredibly well. Well if you’re into that, but you wish it were more explicit, gay, and heartbreaking? Well I have a book for you. It’s consuming, much like the central character’s obsession with his father’s graduate student, who inconveniently (or maybe conveniently?) is staying a door down from his room for the summer. I cannot wait for this movie. (Though you should all read this book.

Prince of Broadway 

Look, revues are tough, but Hal Prince’s career is so varied and spectacular that this evening didn’t drag for me until the very end. (And that wasn’t so much a function of the show as the fact that that I have no patience for The Phantom of the Opera.) You need to be the highest level of musical theater nerd to love it I think, but if you are, it’s fun.

HAIM cover of That Don’t Impress Me Much” 

And bonus:

And one more (can you tell I went down a YouTube rabbit hole with this one?):

Buffering the Vampire Slayer 

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Are you craving a fun feminist on-line community that also loves puns about vampires and making fun of cheap werewolf costumes? Well do I have the podcast for you. Obviously, you need to have watched (and probably rewatched) Buffy to get it, but c’mon, you should have watched Buffy by now.

There’s probably more that I meant to write about over the past month or so, including a trip to Chicago for my dear friend’s bachelorette party (and a Kelly Hogan show at The Hideout!) and my 28th birthday. But this is what I got right now.

Long Weekend Music

I’ve got a fun long weekend planned for myself, including 2 NYC theater adventures, and quick solo trip to Washington DC. So, expect a full post on Tuesday (or Wednesday depending on how tired/buried in emails I am…)

But for now, here’s some music I’ll be listening to on the Megabus:

Most Girls – Hailee Steinfeld

Note to dudes, “You’re not like other girls,” isn’t a great compliment. I like most other girls. If you’re trying to say I’m special to you, just say that.

Gonna Get Along Without You Now – She & Him

I Would Die 4 U – Prince & the Revolution

Although I’m obviously sad about the reason, I am excited that Prince’s catalog is finally available online/streaming.

You & I – Ingrid Michaelson

Kiwi – Harry Styles

Because I am really enjoying all the boys’ post One Direction moment right now. (Except Zayn, because I’ve never liked him…) And I really can’t wait to see how Harry is in Dunkirk.

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Dime Store Cowgirl – Kacey Musgraves

Liability – Lorde

Feel It Still– Portugal the Man

Shine On Me – George Auerbach

Is this basically a rip off of George Harrison’s “Got My Mind Set On You?” – Yes. But that’s a damn good song, and so is this, so who cares.

Woman – Kesha feat. The Dap Kings horns

I could write a whole post about how excited I am that Kesha is back, and I cannot wait for this full album, but for today I’ll just say that this song is my summer anthem. (Though it’s not safe for work FYI…)

 

Weekly Adventure: 1984

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When I first read about how people were fainting and vomiting during previews for 1984, I was rolling my eyes a bit. Typical buzz hyperbole, I assumed. But, after sitting through the last 20 minutes of this truly visceral production I can honestly say that if I had been closer to the stage (I was in the balcony) I may have lost consciousness myself.

Anyone familiar with this story (and in these times it can feel like we all are even if we haven’t read it) knows going in that this isn’t going to be an easy watch. But it is a vital one. Directors Robert Icke and Duncan Macmillan, mix technology and pathos in interesting ways to keep the pace unrelenting. This makes the rare moments of calm between Winston (a befuddled but intense Tom Sturridge) and Julia (Olivia Wilde) all the more heart wrenching in their doomed peacefulness.

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The kicker of 1984 has always been for me that it doesn’t offer a clear road map for what we are supposed to do in the face of Big Brother and this is really hit home here by the unrelenting calm of Reed Birney as O’Brien. It doesn’t matter what Winston (or an interrupting audience member) says to him, the Party’s will will continue apace. It’s terrifying, and like Orwell, I’m not sure how that is to be resisted, but its worth thinking about and this play will make you do that. Once your heart rate returns to normal.

Photo Credit: Julieta Cervantes

Award Show Round Up: Tonys 2017

Is it just me, or was last night’s Tony’s telecast sort of underwhelming? I mean, don’t get me wrong, an underwhelming Tony’s is still one of my favorite nights of the year, but still. Maybe it’s just hard to follow the Hamiltonys, but also, Kevin Spacey didn’t ever really seem very comfortable up there. Maybe having the running joke of the evening be “why is he hosting?” without ever really giving an answer to that question wasn’t the best strategy. (An answer other than a string of 90s-era impressions I mean.)

But enough snark, here were my favorite moments of the night:

I haven’t seen Oslo, or had any real desire to really, but I liked that this was the first speech of the night:

I also have zero desire to see Hello, Dolly! (Sorry, but it’s just not actually a good play, you won’t convince me that it is. You certainly won’t convince me by having David Hyde Pierce sing a song that was clearly originally cut for a reason.) But…I have loved Gavin Creel for a very long time (once he hugged me on stage at the end of Hair and it was thrilling:

(And I love that Sutton presented his Tony!)

But I would have given the Tony to Andrew Rannells for Falsettos, I loved their performance (it’s a hard show to excerpt from), but I am so excited it’s going to be broadcast. You should all go see it, even if you didn’t love this clip, because the show as a whole is a masterpiece.

Anyone who happens to have an extra ticket to Dear Evan Hansen I am an excellent theater date:

It’s pretty gross that James Earl Jones’s Lifetime Achievement Award was relegated to the commercial break. Especially to make time for what, an extended Bill Clinton joke that seemed to be aimed pretty squarely at being mean to Hillary? (Sorry guys, the more I think about last night, the more I realize I may hate Kevin Spacey.)

Kevin Kline will always make me happy:

Also, in shows I need to see:

Do I know anyone who has seen Bandstand is this the only good number or something? I keep hearing it’s not good, but this looks very good! I need opinions:

Before I get to dresses one last snarky question, does Kevin Spacey know he’s not actually Bobby Darin? (Though I do love Patti of course.)

Now, fashion!

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Rachel Bay Jones in Christian Siriano (Photo Credit: Getty Images for Tony Awards Productions)

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Olivia Wilde in Michael Kors Collection (Photo Credit: Dimitrios Kambouris/Getty Images for Tony Awards Productions)

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Laura Linney in Derek Lam (Photo Credit: CNN)

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Cynthia Erivo in Chris Gelinas (Photo Credit: Jemal Countess)

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Sarah Paulson in Rodarte (Photo Credit: Getty Images)

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Alison Janney in Cristina Ottaviano (Photo Credit: Getty Images)

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Laurie Metcalf in Christian Siriano (Photo Credit: Evan Agostini/Invision, via Associated Press)

Weekly Adventure: Colm Tóibín at the Paula Cooper Gallery

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Almost 8 years ago (!), when I was studying abroad at University College Cork, my contemporary Irish literature professor assigned Blackwater Lightship, and since then I have been mildly obsessed with its author Colm Tóibín. I’ve been working my way through all of his books (and they range in genre including short stories, novels, memoirs, and literary criticism.) I’ve loved all of them. Many of them fall into the category of “things that are too important to me for me to write about in any coherent fashion.”

So instead, I will just give you my three favorite quotes from last night, remind you that sometimes it is great to meet your heroes (he was so kind and I’m inspired to write for the first time in ages), and tell you all to go buy his new book, or any of his old books.

“A novel loves money, it loves disappointment, it loves a marriage, it loves a marriage that does not happen.” – On novels as secular spaces

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Follow up: “So on page 6, I rid of the gods.” 

“If you’re a novelist, the most interesting part of a story is the blurred figure in the photograph.”

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Related: The Story of Night (a beautiful book about a gay man in Argentina) is “about someone who has not spoken before but must now speak”

Where I’m from the men didn’t say much, but the women would all be talking all at the same time.” – on why he writes with such power (to borrow a phrase from a question asker) in the voices of women

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A Whole String of Adventures

Full disclosure, this is a super lazy post. I’m tired…I’ve been doing a lot…

It’s been an eventful week for me, filled with theater and movies. And I’ve been really bad about blogging about them. I’m not going to write long reviews of everything, mostly because I don’t want to, but here were some highlights:

The Golden Apple from ENCORES! at City Center

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I didn’t know anything about this show going when my New York godmother invited me to take her extra ticket last Thursday. But after reading this wonderful article, I was intrigued. I’ve always wanted to go to an Encores show, and this was a really fun discovery all around. The show is a lighthearted retelling of Homer, and I loved the choice to recreate Paris (Barton Cowperthwaite) as a silent ballet dancer. One because I love ballet and two because it allows the show to sidestep taking any stance on the character’s culpability.

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Lindsay Mendez as Helen with Cowperthwaite (Photo Credit: Joan Marcus)

Badlands at Videology Bar and Cinema

I’ve written before about how much I love this dark, weird little fable. So for now I’ll just share my friend Arely’s thought at from some angles young Martin Sheen looks exactly like Charlie and from others exactly like Emilio Esteves. It’s sort of crazy.

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An Emilio moment

Also, the queso hot dog at Videology was a pretty tasty way to end a week.

Six Degrees of Separation (with Allison Janney!) 

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Photo Credit: Joan Marcus

It was raining a lot on Saturday. So I almost refused my lotto win ticket to Six Degrees of Separation. But I’m so glad I didn’t. Obivously the biggest draw is Janney and she is as fabulous as you expect her to be. But the play in general, which I had only ever read before, is surprisingly funny and heartwarming. It’s sad how relevant the racial issues (and CATS hatred) still are 26 years on, but the 1990 setting does lend a delightful pre-Google detective story element to the plot.

Also on Saturday I met an actress in the audience whom I’m a big fan of and she was very sweet. 

Mother’s Day trip to Beautiful – The Carole King Musical

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I’ve wanted to see this show for a long time. I love Carole King, and so I was so excited to get to share it with my mom on Sunday. And it was the perfect Mother’s Day show. (I’m pretty sure the entire audience was there celebrating the holiday.) We were unable to stop ourselved from singing along. We briefly felt bad but everyone else was also clapping and dancing. Highly recommend it. Bring your mom, or your most mom like friend. (I’m happy to play the role of mom like friend in your life for this occasion.)

Wakefield at the IFC Center

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A perk of my membership at the IFC is monthly free screenings. I generally go to all of these, even when I know nothing about the film (obvious caveat for avoiding horror/extreme violence), which was the case with this one. It’s…strange. Adapted from an E.L. Doctorow short story by writer/director Robin Swicord, it tells the story of a man (Bryan Cranston) who abandons his wife and family, only to live above the garage and spy on them. It works more as a conceit than it has any right to, but it also has some really icky undertones I’ll be processing for awhile. Cranston is great though.

 

Coming Clean about Purple Rain*

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Can anyone in this movie act? — No.

Is the dialogue straight up awful? — Yes.

Are the sexual politics at best questionable? — Well, there’s a scene where a woman is literally thrown in a dumpster for daring to ask something of a man…so, yeah. (It is done by the villain, but it’s played for laughs, so…)

Is it still, somehow, a masterpiece? Absolutely.

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I’ve been trying to piece together why this movie is so magical since the minute I walked out of a free screening at the Brooklyn Bazaar Wednesday night. It’s obviously a lot to do with the music, and I’ll always be thankful for the experience of singing along to “Purple Rain” with a ballroom filled with tipsy strangers. But, that can’t be all of it, because then I would just want this to be a concert film, and that’s not how I feel at all.

It may be that for all its soppy melodrama, and petrified-wooded performances, the film does have a unique and striking (if a bit dated) visual style. The lighting design and cinematography (by Donald E. Thorin) do a lot to elevate the action.

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But, lets be real, the magic here is Prince himself. Not just in his musical performances (though goddamn), but as a presence onscreen. That mad had a two hour face, and the ability to simultaneously be winking at the audience and be completely vulnerable and in the moment. Sure, the world of this movie is absurd, but his emotion was real and so its easy to get swept up with him for the ride.

 

*This series used to be called “Classics from the Queue, but no one has a Netflix Queue anymore, and that title never really got across this idea that these were movie I had lied about seeing so these posts will now be called “Coming Clean” reviews.