5 More Songs from Julia (and a couple from me)

I don’t know if Julia thought she was starting a series for my blog when she started texting me random song recs, but apparently she was. What can I say, she has good taste in music, and I’ve mostly been listening to Reputation on repeat lately. Oh and this:

Anyway here are her newest picks:

Pretend You’re Missing Me – Betty Who

Lake Tahoe – Jaws of Love

New Rules – Dua Lipa

Sit Next to Me – Foster the People

Borrowed Lives – Pierce Fulton feat. NVDES

Also, this video of two Broadway greats singing T. Swift exists, so Merry Christmas:

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5 Songs from Julia

Hello every one! I know I’ve been a negligent blogger this year. But Critic’s Choice nominations come out tomorrow so awards season posts will ramp up very soon!

In the meantime, here is a mini-playlist frequent-adventure-costar Julia sent me in a text last week:

One Foot – Walk the Moon

Surround Me – LÉON 

So I Met Someone –  VHS Collection 

Love You Like That – Dagny

Desire Lines – Deerhunter 

(This one we both discovered through watching Busy Phillips’s Instagram story, which I cannot recommend highly enough. As I said to Jules a few weeks ago, she’s the best virtual friend to have.)

Also bonus – Julia and I may try to learn the HAIM girl walking based choreography at some point, all are welcome to audition for the role of third fake sister.

Thanks for the free blog content Jules! Here’s a picture of us when it was warm out and we were in the same city:

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Happy Friday Music

Although a gray cloud has descended over Astoria this afternoon, I have a lot of fun plans this weekend, and thought I would post a soundtrack to start your weekend off on fun foot. (Full disclosure, a lot of these songs come from the TBTL Song of the Summer contest.)

Praying – Kesha

OK, so this may not be the most “fun” foot to start on, but this video of fans reacting to her high note is…

Sinking – Super Defense

In & Out – Beth Ditto 

Want You Back– HAIM

Bambi– Jidenna

Sweet Creature– Harry Styles

Also, just to follow up from last post, yes he can act. And you should see Dunkirk. (I’m sure I’ll be blogging more about this around awards season…)

Spirit– Belle Game

Dirty Work– Steely Dan

I was including this as a tribute to Walter Becker (who recently passed away), but the fact that the second video to pop up on a YouTube search is an American Hustle clip reel is pretty great.

Hey Now – The Regrettes

Long Weekend Music

I’ve got a fun long weekend planned for myself, including 2 NYC theater adventures, and quick solo trip to Washington DC. So, expect a full post on Tuesday (or Wednesday depending on how tired/buried in emails I am…)

But for now, here’s some music I’ll be listening to on the Megabus:

Most Girls – Hailee Steinfeld

Note to dudes, “You’re not like other girls,” isn’t a great compliment. I like most other girls. If you’re trying to say I’m special to you, just say that.

Gonna Get Along Without You Now – She & Him

I Would Die 4 U – Prince & the Revolution

Although I’m obviously sad about the reason, I am excited that Prince’s catalog is finally available online/streaming.

You & I – Ingrid Michaelson

Kiwi – Harry Styles

Because I am really enjoying all the boys’ post One Direction moment right now. (Except Zayn, because I’ve never liked him…) And I really can’t wait to see how Harry is in Dunkirk.

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Dime Store Cowgirl – Kacey Musgraves

Liability – Lorde

Feel It Still– Portugal the Man

Shine On Me – George Auerbach

Is this basically a rip off of George Harrison’s “Got My Mind Set On You?” – Yes. But that’s a damn good song, and so is this, so who cares.

Woman – Kesha feat. The Dap Kings horns

I could write a whole post about how excited I am that Kesha is back, and I cannot wait for this full album, but for today I’ll just say that this song is my summer anthem. (Though it’s not safe for work FYI…)

 

Award Show Round Up: Tonys 2017

Is it just me, or was last night’s Tony’s telecast sort of underwhelming? I mean, don’t get me wrong, an underwhelming Tony’s is still one of my favorite nights of the year, but still. Maybe it’s just hard to follow the Hamiltonys, but also, Kevin Spacey didn’t ever really seem very comfortable up there. Maybe having the running joke of the evening be “why is he hosting?” without ever really giving an answer to that question wasn’t the best strategy. (An answer other than a string of 90s-era impressions I mean.)

But enough snark, here were my favorite moments of the night:

I haven’t seen Oslo, or had any real desire to really, but I liked that this was the first speech of the night:

I also have zero desire to see Hello, Dolly! (Sorry, but it’s just not actually a good play, you won’t convince me that it is. You certainly won’t convince me by having David Hyde Pierce sing a song that was clearly originally cut for a reason.) But…I have loved Gavin Creel for a very long time (once he hugged me on stage at the end of Hair and it was thrilling:

(And I love that Sutton presented his Tony!)

But I would have given the Tony to Andrew Rannells for Falsettos, I loved their performance (it’s a hard show to excerpt from), but I am so excited it’s going to be broadcast. You should all go see it, even if you didn’t love this clip, because the show as a whole is a masterpiece.

Anyone who happens to have an extra ticket to Dear Evan Hansen I am an excellent theater date:

It’s pretty gross that James Earl Jones’s Lifetime Achievement Award was relegated to the commercial break. Especially to make time for what, an extended Bill Clinton joke that seemed to be aimed pretty squarely at being mean to Hillary? (Sorry guys, the more I think about last night, the more I realize I may hate Kevin Spacey.)

Kevin Kline will always make me happy:

Also, in shows I need to see:

Do I know anyone who has seen Bandstand is this the only good number or something? I keep hearing it’s not good, but this looks very good! I need opinions:

Before I get to dresses one last snarky question, does Kevin Spacey know he’s not actually Bobby Darin? (Though I do love Patti of course.)

Now, fashion!

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Rachel Bay Jones in Christian Siriano (Photo Credit: Getty Images for Tony Awards Productions)

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Olivia Wilde in Michael Kors Collection (Photo Credit: Dimitrios Kambouris/Getty Images for Tony Awards Productions)

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Laura Linney in Derek Lam (Photo Credit: CNN)

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Cynthia Erivo in Chris Gelinas (Photo Credit: Jemal Countess)

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Sarah Paulson in Rodarte (Photo Credit: Getty Images)

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Alison Janney in Cristina Ottaviano (Photo Credit: Getty Images)

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Laurie Metcalf in Christian Siriano (Photo Credit: Evan Agostini/Invision, via Associated Press)

Coming Clean about Purple Rain*

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Can anyone in this movie act? — No.

Is the dialogue straight up awful? — Yes.

Are the sexual politics at best questionable? — Well, there’s a scene where a woman is literally thrown in a dumpster for daring to ask something of a man…so, yeah. (It is done by the villain, but it’s played for laughs, so…)

Is it still, somehow, a masterpiece? Absolutely.

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I’ve been trying to piece together why this movie is so magical since the minute I walked out of a free screening at the Brooklyn Bazaar Wednesday night. It’s obviously a lot to do with the music, and I’ll always be thankful for the experience of singing along to “Purple Rain” with a ballroom filled with tipsy strangers. But, that can’t be all of it, because then I would just want this to be a concert film, and that’s not how I feel at all.

It may be that for all its soppy melodrama, and petrified-wooded performances, the film does have a unique and striking (if a bit dated) visual style. The lighting design and cinematography (by Donald E. Thorin) do a lot to elevate the action.

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But, lets be real, the magic here is Prince himself. Not just in his musical performances (though goddamn), but as a presence onscreen. That mad had a two hour face, and the ability to simultaneously be winking at the audience and be completely vulnerable and in the moment. Sure, the world of this movie is absurd, but his emotion was real and so its easy to get swept up with him for the ride.

 

*This series used to be called “Classics from the Queue, but no one has a Netflix Queue anymore, and that title never really got across this idea that these were movie I had lied about seeing so these posts will now be called “Coming Clean” reviews.

Midweek Music

I’ve been meaning to post a playlist for awhile, but misplaced the page in my notebook where I had been keeping my list. I found it last week and added a couple to make it a square 10. As always they mostly come from the Dinner Party Download or TBTL (what can I say I rely on the men of the APM Podcast network to give me new music…)

Emerald St. – Jamila Woods feat. Saba

Direct Address – Lucy Dacus

She Turns My Radio On – Jim Ford

Eternal Flame – The Bangles

When I was in 5th grade I watched a Behind the Music about the Bangles and even though I never remember to listen to their music, I pretty much still want to be them when I grow up.

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I mean look at the attitude (and the hair) #goals

Nuit de Foile – Début de Soirée 

Please enjoy this bonus video of another role model of mine, Isabelle Hupert – possibly the coolest woman alive – dancing like a giddy teenager to this song.

Alex Chilton – The Replacements 

Cherry Hearts – Prom Queen (cover a Shins song)

Delta Lady – Joe Cocker

How I Left – Sean Hayes

Who Says – John Mayer

(I know, he’s a sleazeball, but I just love this song…)

 

 

Weekly Adventure: Amélie on Broadway

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I wasn’t sure what to expect from Amélie as a musical. I had seen the movie it’s based on in high school, but I admit that I really only remembered the image of Audrey Tautou‘s mischievous smile from the DVD case. Oh and that it was “quirky.” While I’m ambivalent about the current musical theater trend to musical-ize every even marginally successful film, the opportunity to Phillipa Soo (otherwise known as Eliza-freaking-Schuyler-Hamilton) and my longtime love* Adam Chanler-Berat would have been inducement enough to see pretty much any show.

And this one was definitely worth the trip! As my New York godmother, and frequent theater date, put it as we were walking out this was completely “charming.” And it is quirky. (There are extended sequences involving a garden gnome.) But, mostly due to the truly great central performance from Soo, it also has a lovely emotional center about how hard it can be to allow yourself to connect to the people around you.

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This scene/song was lovely (Photo Credit: Joan Marcus for Playbill)

Obviously anyone who has listened to “Burn” already knows that Phillipa is a star, and this role lets her share all of her effervescence, but she’s backed up by a great supporting cast. The production design is also really great, Amélie lives in a daydream world, and set & costume designer David Zinn, created a world and (closet) I’ll be dreaming about for awhile.

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(Photo Credit: Instagram user alisonsimmet)

 

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*Baby (ok 19-year-old) Kath meeting Adam outside iNext to Normal (Photo Credit: Hanna Katz)

Weekly Adventure: In Transit at Circle in the Square

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With all the craziness (and expense) of moving and the holidays and all my awards season movie, I haven’t been as focused on my Broadway lottos recently. So, I haven’t been to the theater in a while. But, I luckily have a wonderful woman I refer to as my New York godmother, who sometimes out of the blue emails me things like “Are you free to see In Transit some day next week?” And I was.

I didn’t know a ton about the show going in, except that it is the first all a capella musical on Broadway, which Baboo was very excited about as she had been in an a capella group in college. I cannot sing, but have always been a fan of people who can, so I was intrigued.

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Pre-show selfie to make my mom jealous

And the show was completely charming. The a capella blend is beautiful and the beat boxer at the center of it (played last night by Chesney Snow) has impressive range. I saw a review this morning that says this is like if Love Actually were a musical set in New York, and that captures it pretty beautifully.

The plot is a series of interlocking stories of New Yorkers on the subway dealing with loss (of love and career), ambition, and love. It’s not breaking any ground, but a few of the songs are genuinely moving. And the whole cast is incredibly talented. As Baboo would say they have a great “blend” and the soloists were all wonderful, particularly Aureilia Williams. (Side note: at one point she wears a dress made of Metro Cards, which would win a Project Runway, unconventional challenge in a heartbeat. It was amazing.)

(Photo Credit: Sara Krulwich/The New York Times)

As a big fan of the Broadway-centric web series Submissions Only it was also a thrill to see Colin Hanlon, who apparently just joined the cast as a replacement, in a very sweet story with Justin Guarini. (Who you probably know from the first season of American Idol, but for me will always be the guy who at the stage door of Women on the Verge of a Nervous Breakdown, repeated the sentence “It’s like being living art” to many times and Hanna and I couldn’t stop laughing.)

Anyway, the show is really fun, and definitely worth it. We got discount tickets, but the Circle in the Square is such an intimate house that there really isn’t a bad seat in the house.

 

Five Star Book: The First Collection by a Living Female Rock Critic by Jessica Hopper

I know, two 5 Star book posts in as many weeks! But I couldn’t let a book that made me grab a pen and underline things as often as this one did go unrecommended.

I saw Jessica Hopper speak about this book at the Texas Book Festival last year and bought it based on her & (frankly) a sense of feminist obligation. If the title is true, which it seems to be, then we have to buy this one to ensure there will be more.

Reading it didn’t feel at all like a chore though. Hopper is insightful and witty, hard hitting when she needs to be (like in her interview with Jim DeRogatis about R.Kelly’s very disturbing [alleged] obsession with underage girls) and compassionate always (even in the sections titled “Bad Reviews”).

It’s actually sort of intimidating to even write a review of her book, because she has mastered the form. So instead here are 5 of my underlined favorite lines:

“Girls in emo songs today do not have names. We are not identified beyond our absence, our shape drawn by the pain we’ve caused. Out lives, our day-to-day-to-day does not exist, we do not get colored in.”

From “Emo: Where The Girls Aren’t” Punk Planet #56, July 2003

“It’s often uncool to be the person who gives a shit.”

This is from her conversation about R. Kelly, but it also speaks to the book as a whole. One of my favorite writers, Rob Sheffield, wrote a blurb for the back of this book that says, “She concedes nothing to the idea that it is dumb to care so much.”

“lord alive, there is not a more earnest and tenderhearted person in rock n’ roll than Eddie Vedder, in case you doubting just how sensitacho he rolls.”

I’ve always suspected this to be true. from “Vedderan: Notes on Pearl Jam’s 20th Anniversary Concert” TinyLuckyGenius, September 2011

“They stand for hope and big ideas as well as simple ones: have fun, include everyone, be positive, do good work. It’s an active rejection of adult cynicism. You could call it anti-capitalist, but there’s no indication anyone involved has given it that much thought.”

From “Will the Stink of Success Ruin the Smell?” LA Weekly, February 2009

“It’s subtler than patriotism; the abstraction is a nostalgic ruing for that old=-fashioned American freedom (not the 2012 GOP’s hijacked late-stage-capitalism-amok-in-you-uterus version), the sort that might entice a young girl to move up from Georgia with just a lamp, a chair and her guitar.”

From “Cat Power: Sun” SPIN magazine, September 2012 

I’ll probably put together a playlist sometime soon of songs this book introduced me to. But though its about music, its really about not being afraid to give a shit, to care too much about something other people call trivial, which i think you can tell from the name of this blog is a sentiment I can get behind.