Award Show Round Up: Oscars 2018

Well another awards season has come to a close, and while there were some great moments (and some important statements made) none of my personal favorites managed wins. (Except, of course, my role model Ms. McDormand – but more on that later).

Jimmy Kimmel did a good job last night of being charming, relatively inoffensive, and didn’t dwell on hatred of Matt Damon or the envelope snafu from last year.

I liked the jet ski for shortest speech gimmick (though honestly they could have played people off, that was a looooooong show.)

Mark Bridges, is living his best life up there. (Also, his costumes for Phantom Thread were so gorgeous.

Other than best picture, which I was sure was going to go to Three Billboards there weren’t many surprises with the winners. (Including unfortunately, Timothée Chalamet’s award going to a man in old age makeup yelling.)

I like Sam Rockwell a lot (though Willem DaFoe was robbed):

(Side note: Did we all know that Martin McDonagh and Phoebe Waller-Bridge were a thing? Because that’s awesome.)

I also really like Allison Janney (though Laurie and Lesley were also so amazing this year):

Kobe Bryant has an Oscar now. That’s not one I would have predicted!

Best presenters of the evening:

Though these two were pretty great too:

Jordan Peele deserved this:

I’m not sure if Guillermo deserved this or not, but I he gives good speech:

I love a good Meryl bit:

And most importantly: Frances. McDormand.

Fashion wise there was a lot of sparkle and bright bold colors, which I loved. Here were my favs:


Sally Hawkins in Armani Privé (Photo Credit: WireImage)


Jennifer Lawrence in Dior (Photo Credit: David Fisher/REX/Shutterstock)


Kumail Nanjiani in Ermenegildo Zenga Couture and Emily V. Gordon in J. Mendel (Photo Credit: Frazer Harrison/Getty)


Allison Williams in Armani Privé Couture (Photo Credit: Frazer Harrison/Getty Images) 

She looks beautiful, and I love that fairy-gossamer dress, but I am still not convinced she’s not going to murder someone.


Allison Janney in Reem Acra (Photo Credit: Getty Images)


Phoebe Waller-Bridge in Vionnet (Photo Credit: Getty/Mike Stobe)


Jane Fonda in Balmain (Photo Credit: Kevin Mazur/WireImage)


Ashley Judd in Zameer Kassam and Mira Sorvino in Romona Keveža (Photo Credit: Frazer Harrison/Getty Images)


Greta Gerwig in my favorite Oscars dress of all time which was designed by Rodarte (Photo Credit: David Fisher/REX/Shutterstock)


Award Show Round Up: BAFTAs 2018

Sorry this post is a day late. I was out of traveling yesterday and I kind of completely forgot that I hadn’t done this. As far as BAFTAs go this one was a little strange. This may have been because it was first time since I started watching that Stephen Fry wasn’t the host, though Joanna Lumley was lovely. And it may have been because it was the British Time’s Up moment, but it didn’t feel quite as galvanized and united as the Golden Globes to me (is it possible that it’s just because the room was bigger?)

The other strange thing was that the show started with Best British Film going to Three Billboards Outside Ebbing, Missouri which is of course an incredibly American story. (It was also presented by Jennifer Lawrence, an American actress.) That movie went on to win basically everything, which didn’t bother me as much as it does some other people, but it’s not super exciting to me either. (Except it means lots of love for Frances McDormand, which I am never going to be mad about.)

EE Rising Star did go to a Brit, and yes, I promise I will see Get Out very soon. (Or before the Oscars at least.)


(Side note: shout out to Timmy for walking him up the stairs. And though I knew it was going to happen last night, please stop giving Mr. Chalamet’s awards to Gary Oldman. Especially on nights when you are supposed to be lifting up the voices of women who have spoken out against their abusers. Thanks!)

We’re at that point in awards season where I begin to sound like a broken record, but I would’ve given this to Laurie, but I love Ms. Janney (and her strange space age shrug):

Speaking of women I love and their strange fashion choices:

And that speech is a good one to end on!

The all black dress code led to some unusual embellishment choices fashion wise, but there were a few looks I liked:


Jennifer Lawrence in Christian Dior Haute Couture (Photo Credit: Getty)


Gugu Mbatha-Raw in vintage Cardinali (Photo Credit: Lipstick Alley)


Lily James in Burberry (Photo Credit: Getty/Mike Marsland)


Lupita Nyong’o in Elie Saab (Photo Credit: David M. Benett/Getty Images)


Natalie Dormer in custom Alberta Ferretti (Photo Credit: Mike Marsland/WireImage)


Jamie Bell and Kate Mara in Dior (Photo Credit: Getty/Dav J. Hogan)


Helena Bonham Carter (Photo Credit: Mike Marsland/WireImage)


Florence Pugh in Miu Miu (Photo Credit: Getty)

And the Nominees Are 2018: Round 4

All the nominations are out! You can see my reactions to today’s Oscar noms on Twitter. (They are generally positive!) But I haven’t done an update of what I’ve seen in awhile. I still have a couple of big nominees to see, and a lot of documentary and foreign films to catch up with, but I’m excited that the BAFTAs give me an opportunity to share a few other favorites!

Lady Macbeth


I really thought I had written notes about this after I saw it. (This will be an unfortunate theme.) But other than my poem (link below) I don’t seem to have recorded my response to this anywhere. Which may have been a problem, except for certain images of this are burned into my memory.

It’s not a Shakespeare adaptation, but Florence Pugh‘s protagonist has the bard’s twisted lady’s cold power (and misguided passion) and she conveys more with a lifted corner of a lip than many actresses do with a monologue. This is a thriller not for the faint of heart. (I honestly don’t know if I would have gone if someone had told me the whole plot.) But it, like Mudbound actually now that I think about it, does a great job of exploring the ways that various forms of oppression and power intersect, magnify, and counteract each other, often with violent, heartbreaking consequences.


You can read my poem about this film, here.

God’s Own Country


I somehow forgot to write notes about this beautiful film after seeing it this fall. Which is a shame, because I remember being overcome with its beauty and humanity. It’s a quiet, lovely story about an isolated, fuck up of a farmer (Josh O’ Connor), meets and falls for the soft spoken migrant worker he hires to help with the lambing (Alec Secareanu).

The plot synopsis could make it sound like a romance novel, but in the hands of writer director Francis Lee, its a nuanced portrait of a young man coming to terms with the fact that he may not be as stuck as thinks (and therefore he has to take some responsibility for his actions.) It’s also a beautifully shot portrait of a life connected to the land of northern England, something that is disappearing in our modern age. (The farm it was filmed on had been converted to a housing development before the movie was released in the states.) But more than any of those philosophical things it’s a love story and it’s a good one and you should watch it.


You can read my poem about this film, here.

Phantom Thread


I went into this knowing that the folks at the Next Picture Show were planning to pair it with Hichcock’s Rebecca and so I spent a lot of the movie making connections between these two stories, and they aren’t hard to find. This is a moody, tense story of a relationship between a quiet young woman (the new-to-me but luminous Vicky Krieps) and a persnickety, yet glamorous older man (the always fantastically compelling Daniel Day-Lewis). There’s even a steely, Mrs. Danvers character in the form of his sister, Cecil (the creepily stoic Lesley Manville).

But, this movie also has its own, unique strange beauty. Although the relationship machinations are often excruciatingly awkward, the world they take place in, a post World War II London fashion house, is sumptuous and captured beautifully by Paul Thomas Anderson. (Of course, because he is a genius.)

My boyfriend called this an “emotional horror movie,” complete with jump scares and almost unbearable tension. He found it much harder to watch than I did, but the description is apt. But I mean that as a compliment, not a moment of screen time is wasted and while their actions get increasingly crazy as time progresses they never fall into cliché.

Also, the score, by Johnny Greenwood, is a fantastic indicator of mood and motion. It may be my favorite soundtrack of the year. (And I’ve already added two other film scores to my phone this year, which I never do.)

phantom-thread-600x338 (1)

You can read my poem about this film, here,

yI, Tonya


Well, this one is wild. Its jarring tone could definitely be off-putting, but I loved it’s freewheeling, winking style. Tonya Harding’s story is so strange that is a screenwriter invented it, we wouldn’t buy it. But Steven Rogers gets around that by acknowledging the purely subjective and “wildly contradictory” accounts of those involved in the infamous case.

The performances are all fantastic. Allison Janney and Margot Robbie of course, but my favorite may have been Sebastian Stan as Jeff Gillooly. He best embodies the film’s quick careening from campy fun to chilling violence. He was a revelation for me.

Also, the skating scenes are great, and the soundtrack is outstanding.


You can read my poem about this film, here.

All the Money In the World


Michelle Williams is a marvel. She kept me interested in this mess of a movie, even as it went past the 2 hour a mark. To be fair, Christopher Plummer‘s last minute step-in is also a great turn, but this is really Williams’s movie and I’m here for that. (As for Mr. Wahlberg, I’ve liked him other things, but here he could be replaced by a cardboard-cut-out here and be equally compelling.)

I didn’t know much about the Gettys before this and their particular brand of conspicuous consumption and dysfunction is depressingly interesting, but I feel like Ridley Scott never decided exactly what he wanted the tone of this to be, so it felt a bit muddled.


You can read my poem about this film, here.

The Greatest Showman


I was baffled by the gulf between the ridiculing critical response to this and the incredibly enthusiastic audience reaction. Well, after seeing it last night, I think I understand, but am now slightly baffled by the film itself. This is a good old-fashioned movie musical. It’s bright and shiny and filed with large production numbers.

Hugh Jackman is as charming and magnetic as always. Michelle Williams, though underutilized as an actress here, is luminously beautiful and can sing! The assembled “human oddities” Jackman’s P.T. Barnum collects are all talented. The duet between Zendaya and Zac Efron is genuinely moving.

But…um…I have about a million questions.

  • Why didn’t they use the score of the already written, Tony- winning musical about P.T. Barnum?
  • If this was set in the 1800s why are they dancing like they are in a Michael Jackson video? Or an old-timey installment of High School Musical? 
  • What are Michelle Williams and Rebecca Ferguson doing here? Give them something to do or don’t waste their time.
  • Is it wishful, revisionist history to look at Barnum’s “freak shows” as spaces of empowerment for the marginalized? I’d like to read actual scholarship on this if anyone knows of any.
  • But like, again, they could have had this song:



You can read my poem about this film, here.

Awards Show Round Up: SAG Awards 2018

So, none of my favorites seem to be winning this season. But, it was still a pretty great night. And I have always loved the “I’m an actor” opening:

I’ve seen I, Tonya finally (a new nominees post is coming tomorrow I promise!) and Allison Janey is great! I still would give the award to Laurie Metcalf I think. But this category is really stacked this year.

Apparently, Sam Rockwell is going to win an Oscar this year. I like him a lot, so I’m not mad in principle, except I feel like shouting into some sort of abyss, “WILLEM DAFOE WAS ROBBED!!!!!”

Unsurprisingly, this was one of my favorite moments of the night:

I know there’s a lot of jokes to be made about how long Nicole Kidman’s speeches are, but she gave this speech with the flu. As you may recall, when I had the flu, I couldn’t keep my eyes open to watch a speech. She’s amazing.

Speaking of good speeches, Sterling…always the best:

Also, I’m happy for the whole This Is Us crew. I know everyone thought it would go to Handmaid’s but I love how SAG always throws a curveball in this category. Remember how many times they gave it to Downton? And Sterling’s face at the announcement was pretty priceless:

(Go to 0:40 for his reaction.)


I would give this award to Saoirse as you know. (Let’s be real I’d give every prize ever to Saoirse.) But Frances is pretty wonderful:

So with this cast win it looks like our Best Picture race is between Three Billboards and Shape of Water which I’m…sort of unenthused about…but I guess I’m team Billboards:

Fashion wise, it was a night of strangely aggressive sequins and bows, but here were my standouts:


Mandy Moore in Ralph Lauren (Photo Credit: Frazer Harrison/Getty Images)


Trcee Ellis Ross in Ralph & Russo (Photo Credit: Rex Shutterstock)


Sarah Silverman in Romona Keveza

Sam Rockwell and Leslie Bibb (Photo Credit: Frederick M. Brown/Getty Images)

24th Annual Screen Actors Guild Awards, Arrivals, Los Angeles, USA - 21 Jan 2018

Saoirse Ronan in Louis Vuitton (Photo Credit: Stewart Cook.WWD/Rex/Shutterstock)


Odeya Rush in Dior Haute Couture (Photo Credit: Frederick M. Brown/Getty Images)


Dakota Fanning in Prada (Photo Credit: Getty Images)


Zoe Kazan in Miu Miu (Photo Credit: Frederick M. Brown/Gett Images)


Awards Show Round Up: Critics Choice Awards 2018

So, I have to start with a confession. I slept through most of this show last night. It wasn’t the show’s fault. I actually thought Olivia Munn did a great job hosting and despite the fact that pretty much none of the film awards went to who I would given them too, there were some great speeches. (No love at all for Lady Bird, I mean…come on.) But I had the stomach flu this week so…I was out of it.

But from what I did see, and what I’ve put together from YouTube this morning here were some highlights:

Once again I’m skipping ahead to my favorite feminist moment, the #SeeHer Award, which this year went to the totally deserving Gal Godot:

One of the awards I was wholeheartedly excited about, was Brooklynn Prince for The Florida Project. This was totally deserved and she managed to say more with her speech than most of the adult winners:

Another winner I’m never mad about…Ann Dowd:

Now for awards I would have given to others, but I can’t really be mad about:

(Actually not mad at all about James Ivory, Call Me By Your Name is being criminally under sung.)

I mean, you knew I was going to post a speech that included that final sentiment right?

Also, her friendship with Saoirse Ronan makes me very happy (I can’t wait for Mary Queen of Scots): 


Photo Credit: RTÉ

I think Christopher Nolan is being really snubbed for Director’s honors this year. Dunkirk was really a technical and storytelling marvel, but Guillermo del Toro is pretty adorable:

And now, dresses! It was a strange night, fashion wise, I like that the women are taking risks, but that means sometimes they just look crazy. But here were my favs:


Laura Dern in Balmain (Photo Credit: Getty Images)


Betsy Brandt (Photo Credit: Frazer Harrison/Getty Images North America)


Mary J. Blige in Vivienne Westwood Couture (Photo Credit: Getty/Steve Granitz)


Alison Brie in Roberto Cavalli (Photo Credit: Kevin Mazur/WireImage)


Rachel Brosnahan in Zuhair Murad (Photo Credit: Christopher Polk/Getty Images)


Saoirse Ronan in Michael Kors (Photo Credit: Frazer Harrison/Getty Images)


Constance Wu in Galia Lahav (Photo Credit: Getty Images)


Award Show Round Up: Golden Globes 2018

Well, that was quite a night huh? I saw a lot of handwringing on the internet last week, about how the Time’s Up call for women to wear black would make the night seem funereal and dour. But it didn’t at all, the sisterhood and solidarity on display felt like a celebration. And while there were still of shady men winning awards, I think it’s pretty clear that the women in that room (and watching along with me on Twitter) don’t have any patience for it anymore.

I know I usually go chronologically with these recaps, but lets be real this moment matters more than anything Seth said at the top (though I did like his “Jokes Seth Can’t Tell” segment):

This moment had me crying and texting my mom, and it was everything. And then it was followed with this and my world was made:

(Sorry about the weird lightning bolt, I coulnd’t find a clean clip of this.)

I wasn’t actually jazzed about a lot the winners. (Willem Dafoe was robbed! As was Timothée Chalamet (screw you Gary Oldman, you talented abuser)! Three Billboards was over-awarded!) But there were some truly spectacular speeches:

I wanted Laurie Metcalf to win this category, but I’m never going to be mad to listen to an Allison Janey speech:

(And I haven’t actually seen I, Tonya yet, but it’s on the calendar for this week!)

Speaking of things I haven’t seen, I still have to watch The Marvelous Mrs. Maisel but I am so here for Amy Sherman-Palladino winning awards and wearing hats:

My favorite won Best Actress in a Comedy, and she’s the cutest thing!

Amy Poehler joked a few years back at this very show, that Frances McDormand is the only awards guest she would save in a fire, and well, there are a lot of women in that room I would save, but I’m pretty happy she got to give this speech even if she was clearly censored even when not swearing. (You can’t say “shift” now apparently):


All in all a great kickoff to the season!

And the all-black look was fantastic as a cultural choice, but also some of the gowns were really cool:


75th Annual Golden Globe Awards - Arrivals

Connie Britton in Lingua Franca sweater (Photo Credit: Getty)



Viola Davis in Brandon Maxwell (Photo Credit: Getty/Steve Granitz)


Samia Wiley (Photo Credit: Elle Sweden)


Kelly Clarkson in Christian Siriano (Photo Credit: Rob Latour/REX/Shutterstock)


Octavia Spencer in Tadashi Shoji and Jessica Chastain in Armani Privé (Photo Credit: Getty)


Laura Dern in Armani Privé (Photo Credit: Neilson Barnard/NBCUniversal/NBCU Photo Bank via Getty Images)

75th Annual Golden Globe Awards - Arrivals

Sally Hawkins in Dior Haute Couture (Photo Credit: Getty)

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Awards Show Round Up: Emmys 2017

So with the notable (and frankly disturbing) exception of the inexplicable inclusion of Sean Spicer, last night’s Emmys were one of the best I can remember. Usually the show starts to drag around hour 3, but last night’s combination of skilled (but not overly intrusive) hosting and genuinely surprising/deserved wins made for a fun few hours. Here are my highlights:

I love a musical number and Stephen Colbert did not disappoint (love that Chance interlude too!):

(As always these videos will probably go away with copyright claims…)

I love John Lithgow, though I would have given this one to Ron Cephas Jones…

I want to give Kate McKinnon all of the awards always:

The SNL sweep continued, and I will never be surprised at Lorne Michaels’s ability to appear on the edge of falling asleep at all times:

(Also Anna Farris and Allison Janney are just the best.)

Also pretty happy to see this stunt casting lead to this:

I have always, and will always want to be these women when I grow up:

John Oliver is pretty great:


On a serious note,”Thanksgiving” is once of the best episodes of any show ever, and this speech was amazing:

Riz Ahmed is amazing:

Reese Witherspoon for entertainment president:


It is BS that they played him off, Laura Dern and Nicole Kidman (both of whom I love) talked forever…

And then right at the end there, Margaret Atwood was there:

Other notes: I really need to watch Atlanta; It’s time to put JLD in an Emmy pantheon and spread the comedy actress love around a bit. It was a fucking fantastic year for women. (I need to watch Big Little Lies too.

Fashion wise, it was a mixed bag. Weird flowy skirts over leotards and strange feather duster fringe bottoms, but there were some great looks:


Jane Fonda in Brandon Maxwell (Photo Credit: Getty)


Millie Bobby Brown in Calvin Klein (Photo Credit: Getty)


Nicole Kidman in Calvin Klein (Photo Credit: Getty/Jason Merritt)

69th Primetime Emmy Awards, Arrivals, Los Angeles, USA - 17 Sep 2017

Kate McKinnon in Narcisco Rodriguez (Photo Credit: Rob Latour/Variety/Shutterstock)


Reed Marano (Photo Credit: Strauss/Invision/AP)

(BTW I may design my future wedding dress based on this gown. I’m in love with it.)


Jessica Biel in Ralph & Russo Couture (Photo Credit: J. Merritt/Getty Images)


Gugu Mbatha-Raw in Boss (Photo Credit: Getty/Frazer Harrison)

Susan Kelechi Watson in Cristina Ottaviano (Photo Credit: Frazer Harrison/Getty Images)

Award Show Round Up: Tonys 2017

Is it just me, or was last night’s Tony’s telecast sort of underwhelming? I mean, don’t get me wrong, an underwhelming Tony’s is still one of my favorite nights of the year, but still. Maybe it’s just hard to follow the Hamiltonys, but also, Kevin Spacey didn’t ever really seem very comfortable up there. Maybe having the running joke of the evening be “why is he hosting?” without ever really giving an answer to that question wasn’t the best strategy. (An answer other than a string of 90s-era impressions I mean.)

But enough snark, here were my favorite moments of the night:

I haven’t seen Oslo, or had any real desire to really, but I liked that this was the first speech of the night:

I also have zero desire to see Hello, Dolly! (Sorry, but it’s just not actually a good play, you won’t convince me that it is. You certainly won’t convince me by having David Hyde Pierce sing a song that was clearly originally cut for a reason.) But…I have loved Gavin Creel for a very long time (once he hugged me on stage at the end of Hair and it was thrilling:

(And I love that Sutton presented his Tony!)

But I would have given the Tony to Andrew Rannells for Falsettos, I loved their performance (it’s a hard show to excerpt from), but I am so excited it’s going to be broadcast. You should all go see it, even if you didn’t love this clip, because the show as a whole is a masterpiece.

Anyone who happens to have an extra ticket to Dear Evan Hansen I am an excellent theater date:

It’s pretty gross that James Earl Jones’s Lifetime Achievement Award was relegated to the commercial break. Especially to make time for what, an extended Bill Clinton joke that seemed to be aimed pretty squarely at being mean to Hillary? (Sorry guys, the more I think about last night, the more I realize I may hate Kevin Spacey.)

Kevin Kline will always make me happy:

Also, in shows I need to see:

Do I know anyone who has seen Bandstand is this the only good number or something? I keep hearing it’s not good, but this looks very good! I need opinions:

Before I get to dresses one last snarky question, does Kevin Spacey know he’s not actually Bobby Darin? (Though I do love Patti of course.)

Now, fashion!


Rachel Bay Jones in Christian Siriano (Photo Credit: Getty Images for Tony Awards Productions)


Olivia Wilde in Michael Kors Collection (Photo Credit: Dimitrios Kambouris/Getty Images for Tony Awards Productions)


Laura Linney in Derek Lam (Photo Credit: CNN)


Cynthia Erivo in Chris Gelinas (Photo Credit: Jemal Countess)


Sarah Paulson in Rodarte (Photo Credit: Getty Images)


Alison Janney in Cristina Ottaviano (Photo Credit: Getty Images)


Laurie Metcalf in Christian Siriano (Photo Credit: Evan Agostini/Invision, via Associated Press)

Weekly Adventure: Present Laughter at the St. James (with Kevin Kline!)


I won a Broadway lotto this weekend! That hasn’t happened in such a long time. (To be fair, I haven’t been entering as obsessively lately, but still.)

I have loved Kevin Kline for a long time. I can probably pin point it to either this scene or literally any moment he is onscreen in The Big Chill. (Side noteL I’m going to rewatch The Big Chill tonight I think,) So when I saw super excited to get to see him up close, (from a box seat!) in Present Laughter on Saturday.


Photo Credit: Emilio Madrid-Kuser/ 

I know this is theater-nerd and anglophile sacrilege, but I’ve never completely connected to Noël Coward. Sure, he’s witty, but I have always had a hard time with farce. But, Present Laughter has enough of a sense of humor about itself that I was able to shut off the (overly) analytical part of my brain for a couple of hours and just laugh at Kline’s character’s preening insecurity. He is as fantastic in the role as I expected, and his supporting cast, especially Ellen Harvey as the eccentric “Spiritualist Swedish” housekeeper and Kate Burton as his semi-estranged wife, are excellent.

The sets (David Zinn) and costumes (Susan Hilferty) are as extravagant and beautiful as Coward’s rich world demand. And the play zips along with seductions and lies and “lost latch keys” but never gets so complicated that its frustrating. A delightful way to spend a Saturday evening.


Kline with Cobie Smulders (Photo Credit: Joan Marcus)

Midweek Music

I’ve been meaning to post a playlist for awhile, but misplaced the page in my notebook where I had been keeping my list. I found it last week and added a couple to make it a square 10. As always they mostly come from the Dinner Party Download or TBTL (what can I say I rely on the men of the APM Podcast network to give me new music…)

Emerald St. – Jamila Woods feat. Saba

Direct Address – Lucy Dacus

She Turns My Radio On – Jim Ford

Eternal Flame – The Bangles

When I was in 5th grade I watched a Behind the Music about the Bangles and even though I never remember to listen to their music, I pretty much still want to be them when I grow up.


I mean look at the attitude (and the hair) #goals

Nuit de Foile – Début de Soirée 

Please enjoy this bonus video of another role model of mine, Isabelle Hupert – possibly the coolest woman alive – dancing like a giddy teenager to this song.

Alex Chilton – The Replacements 

Cherry Hearts – Prom Queen (cover a Shins song)

Delta Lady – Joe Cocker

How I Left – Sean Hayes

Who Says – John Mayer

(I know, he’s a sleazeball, but I just love this song…)