Awards Show Round Up: Emmys 2017

So with the notable (and frankly disturbing) exception of the inexplicable inclusion of Sean Spicer, last night’s Emmys were one of the best I can remember. Usually the show starts to drag around hour 3, but last night’s combination of skilled (but not overly intrusive) hosting and genuinely surprising/deserved wins made for a fun few hours. Here are my highlights:

I love a musical number and Stephen Colbert did not disappoint (love that Chance interlude too!):

(As always these videos will probably go away with copyright claims…)

I love John Lithgow, though I would have given this one to Ron Cephas Jones…

I want to give Kate McKinnon all of the awards always:

The SNL sweep continued, and I will never be surprised at Lorne Michaels’s ability to appear on the edge of falling asleep at all times:

(Also Anna Farris and Allison Janney are just the best.)

Also pretty happy to see this stunt casting lead to this:

I have always, and will always want to be these women when I grow up:

John Oliver is pretty great:

I LOVE ANN DOWD:

On a serious note,”Thanksgiving” is once of the best episodes of any show ever, and this speech was amazing:

Riz Ahmed is amazing:

Reese Witherspoon for entertainment president:

STERLING!!!!

It is BS that they played him off, Laura Dern and Nicole Kidman (both of whom I love) talked forever…

And then right at the end there, Margaret Atwood was there:

Other notes: I really need to watch Atlanta; It’s time to put JLD in an Emmy pantheon and spread the comedy actress love around a bit. It was a fucking fantastic year for women. (I need to watch Big Little Lies too.

Fashion wise, it was a mixed bag. Weird flowy skirts over leotards and strange feather duster fringe bottoms, but there were some great looks:

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Jane Fonda in Brandon Maxwell (Photo Credit: Getty)

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Millie Bobby Brown in Calvin Klein (Photo Credit: Getty)

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Nicole Kidman in Calvin Klein (Photo Credit: Getty/Jason Merritt)

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Kate McKinnon in Narcisco Rodriguez (Photo Credit: Rob Latour/Variety/Shutterstock)

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Reed Marano (Photo Credit: Strauss/Invision/AP)

(BTW I may design my future wedding dress based on this gown. I’m in love with it.)

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Jessica Biel in Ralph & Russo Couture (Photo Credit: J. Merritt/Getty Images)

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Gugu Mbatha-Raw in Boss (Photo Credit: Getty/Frazer Harrison)

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Susan Kelechi Watson in Cristina Ottaviano (Photo Credit: Frazer Harrison/Getty Images)

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Award Show Round Up: Tonys 2017

Is it just me, or was last night’s Tony’s telecast sort of underwhelming? I mean, don’t get me wrong, an underwhelming Tony’s is still one of my favorite nights of the year, but still. Maybe it’s just hard to follow the Hamiltonys, but also, Kevin Spacey didn’t ever really seem very comfortable up there. Maybe having the running joke of the evening be “why is he hosting?” without ever really giving an answer to that question wasn’t the best strategy. (An answer other than a string of 90s-era impressions I mean.)

But enough snark, here were my favorite moments of the night:

I haven’t seen Oslo, or had any real desire to really, but I liked that this was the first speech of the night:

I also have zero desire to see Hello, Dolly! (Sorry, but it’s just not actually a good play, you won’t convince me that it is. You certainly won’t convince me by having David Hyde Pierce sing a song that was clearly originally cut for a reason.) But…I have loved Gavin Creel for a very long time (once he hugged me on stage at the end of Hair and it was thrilling:

(And I love that Sutton presented his Tony!)

But I would have given the Tony to Andrew Rannells for Falsettos, I loved their performance (it’s a hard show to excerpt from), but I am so excited it’s going to be broadcast. You should all go see it, even if you didn’t love this clip, because the show as a whole is a masterpiece.

Anyone who happens to have an extra ticket to Dear Evan Hansen I am an excellent theater date:

It’s pretty gross that James Earl Jones’s Lifetime Achievement Award was relegated to the commercial break. Especially to make time for what, an extended Bill Clinton joke that seemed to be aimed pretty squarely at being mean to Hillary? (Sorry guys, the more I think about last night, the more I realize I may hate Kevin Spacey.)

Kevin Kline will always make me happy:

Also, in shows I need to see:

Do I know anyone who has seen Bandstand is this the only good number or something? I keep hearing it’s not good, but this looks very good! I need opinions:

Before I get to dresses one last snarky question, does Kevin Spacey know he’s not actually Bobby Darin? (Though I do love Patti of course.)

Now, fashion!

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Rachel Bay Jones in Christian Siriano (Photo Credit: Getty Images for Tony Awards Productions)

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Olivia Wilde in Michael Kors Collection (Photo Credit: Dimitrios Kambouris/Getty Images for Tony Awards Productions)

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Laura Linney in Derek Lam (Photo Credit: CNN)

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Cynthia Erivo in Chris Gelinas (Photo Credit: Jemal Countess)

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Sarah Paulson in Rodarte (Photo Credit: Getty Images)

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Alison Janney in Cristina Ottaviano (Photo Credit: Getty Images)

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Laurie Metcalf in Christian Siriano (Photo Credit: Evan Agostini/Invision, via Associated Press)

Weekly Adventure: Present Laughter at the St. James (with Kevin Kline!)

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I won a Broadway lotto this weekend! That hasn’t happened in such a long time. (To be fair, I haven’t been entering as obsessively lately, but still.)

I have loved Kevin Kline for a long time. I can probably pin point it to either this scene or literally any moment he is onscreen in The Big Chill. (Side noteL I’m going to rewatch The Big Chill tonight I think,) So when I saw super excited to get to see him up close, (from a box seat!) in Present Laughter on Saturday.

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Photo Credit: Emilio Madrid-Kuser/Broadway.com 

I know this is theater-nerd and anglophile sacrilege, but I’ve never completely connected to Noël Coward. Sure, he’s witty, but I have always had a hard time with farce. But, Present Laughter has enough of a sense of humor about itself that I was able to shut off the (overly) analytical part of my brain for a couple of hours and just laugh at Kline’s character’s preening insecurity. He is as fantastic in the role as I expected, and his supporting cast, especially Ellen Harvey as the eccentric “Spiritualist Swedish” housekeeper and Kate Burton as his semi-estranged wife, are excellent.

The sets (David Zinn) and costumes (Susan Hilferty) are as extravagant and beautiful as Coward’s rich world demand. And the play zips along with seductions and lies and “lost latch keys” but never gets so complicated that its frustrating. A delightful way to spend a Saturday evening.

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Kline with Cobie Smulders (Photo Credit: Joan Marcus)

Midweek Music

I’ve been meaning to post a playlist for awhile, but misplaced the page in my notebook where I had been keeping my list. I found it last week and added a couple to make it a square 10. As always they mostly come from the Dinner Party Download or TBTL (what can I say I rely on the men of the APM Podcast network to give me new music…)

Emerald St. – Jamila Woods feat. Saba

Direct Address – Lucy Dacus

She Turns My Radio On – Jim Ford

Eternal Flame – The Bangles

When I was in 5th grade I watched a Behind the Music about the Bangles and even though I never remember to listen to their music, I pretty much still want to be them when I grow up.

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I mean look at the attitude (and the hair) #goals

Nuit de Foile – Début de Soirée 

Please enjoy this bonus video of another role model of mine, Isabelle Hupert – possibly the coolest woman alive – dancing like a giddy teenager to this song.

Alex Chilton – The Replacements 

Cherry Hearts – Prom Queen (cover a Shins song)

Delta Lady – Joe Cocker

How I Left – Sean Hayes

Who Says – John Mayer

(I know, he’s a sleazeball, but I just love this song…)

 

 

Weekly Adventure: Amélie on Broadway

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I wasn’t sure what to expect from Amélie as a musical. I had seen the movie it’s based on in high school, but I admit that I really only remembered the image of Audrey Tautou‘s mischievous smile from the DVD case. Oh and that it was “quirky.” While I’m ambivalent about the current musical theater trend to musical-ize every even marginally successful film, the opportunity to Phillipa Soo (otherwise known as Eliza-freaking-Schuyler-Hamilton) and my longtime love* Adam Chanler-Berat would have been inducement enough to see pretty much any show.

And this one was definitely worth the trip! As my New York godmother, and frequent theater date, put it as we were walking out this was completely “charming.” And it is quirky. (There are extended sequences involving a garden gnome.) But, mostly due to the truly great central performance from Soo, it also has a lovely emotional center about how hard it can be to allow yourself to connect to the people around you.

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This scene/song was lovely (Photo Credit: Joan Marcus for Playbill)

Obviously anyone who has listened to “Burn” already knows that Phillipa is a star, and this role lets her share all of her effervescence, but she’s backed up by a great supporting cast. The production design is also really great, Amélie lives in a daydream world, and set & costume designer David Zinn, created a world and (closet) I’ll be dreaming about for awhile.

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(Photo Credit: Instagram user alisonsimmet)

 

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*Baby (ok 19-year-old) Kath meeting Adam outside iNext to Normal (Photo Credit: Hanna Katz)

Award Show Round Up: Oscars 2017

I’m just going to start with the elephant in the room…this happened:

The most important thing that happened here is that Moonlight won Best Picture. It’s one of the most original and best films I have ever seen. I feel so bad for everyone involved in this mistake (no it wasn’t staged, shut up with your conspiracy theories Twitter). I also don’t think it was Warren Beatty’s fault.

I have watched this video countless times this morning and the only reaction I cannot understand is Jimmy Kimmel’s. “You guys should get it anyway”??!! Obviously they should not. They didn’t win. Just shut up and let Jordan Horowitz and Warren handle this. Otherwise though, I thought he was a pretty good host. (Though the show felt long. That’s not his fault really though, it is just long. I miss being in the central time zone where it ends after 11 instead of after midnight.)

Anyway, there were hours of show before the most interesting end to an awards show ever. My highlights are:

An opening with real energy (whatever your feelings are on this song):

The first award of the night went, as it absolutely should have, to Mahershala Ali:

Viola finally has an Oscar, which is great, but I would like to state one last time for the record that she deserved to win Best Actress in a Leading Role for this film. Her studio should have had that confidence in her, but I’m happy for her all the same:

Lin-Manuel was there! And, I confess that I have yet to see Moana, but this girl just punched her ticket to Broadway if that’s where she wants to go:

(Also, Dwayne Johnson for Oscar host next year?)

I also, really liked the rearranged La La Land number. (Because, the music is good. It’s a good movie. You don’t have to hate it to love Moonlight, despite what the internet tells you.)

(I’ll post a better video of this once its available…)

Also, this happened:

Unfortunately, they then presented an Oscar to Hacksaw Ridge which is not a good film.

Good Will Hunting was formative for me, and though they are imperfect people, I will always love Matt and Ben and the little fraternity they surround themselves with and I loved that they got to have this moment of presenting an Oscar to their friend. (And this was one of the best Kimmel-Damon ‘feud’ moments of the night:

(I’m not going to rehash my take on Casey Affleck again, but I’m glad he won. And he should have combed his hair.)

I would have given my personal Oscar to Natalie Portman for Jackie, but I’m happy for Emma:

But I’m even happier for these men:

And now, dresses. There were fewer strange appliqués last night, which I appreciated. And a lot of sparkle:

 

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Ruth Negga in Valentino (Photo Credit: Jeff Kravits/FilmMagic)*

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Felicity Jones in Christian Dior (Photo Credit: Glamlog)

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Emma Stone in Givenchy Haute Couture (Photo Credit: Kevin Mazur/Getty Images)

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Scarlett Johansson in Azzedine Alaïa (Photo Credit: David Fisher/REX/Shutterstock)

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Alicia Vikander in Louis Vuitton (Photo Credit: REX Shutterstock)

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Michelle Williams in Louis Vuitton (Photo Credit: Noel West)

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Taraji P. Henson in Alberta Ferretti (Photo Credit: Lionel Hahn/ABACA USA/INSTARimages.com, Getty)

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Isabelle Hupert in Armani Privé (Photo Credit: WireImage)

*The blue ribbon is to support the ACLU

Award Show Round Up: BAFTAs 2017

So, once again, the BAFTAs and the Grammys were on the same night, and I made the totally in character decision to skip the Grammys in favor of a rather subdued, very British film award show. (Don’t worry, I’ve seen the important Adele, Beyonce, and Chance the Rapper highlights from the other show. Gotta love YouTube.)

It really was a very calm night in London. A few surprises, but no love for Moonlight at all, which is sad, but a few lovely speeches (and the Duke and Duchess of Cambridge were there!):

After, an inexplicable Cirque du Soleil performance, Ken Loach, director of I Daniel Blake, which I missed in theaters here and still need to see, started the night off strong with the political theme:

Then Viola, rightfully won. I unfortunately couldn’t find a clip with Hugh Grant’s little intro to this, which was very charming. But this is also time for your reminder that Ms. Davis was the leading actress in this film, and she should be winning Leading Actress awards for it:

I used to say that the BAFTAs could always be predicted by guessing who in the category is the “Most British.” In the fast few years that hasn’t really been true, but I’m going to say that’s why Dev Patel beat out Mahershela Ali last night. (Because Dev is great don’t get me wrong, but c’mon…):

I will never complain when Kenneth Lonergan wins awards:

(Also, I love how excitedly his wife claps at the beginning of this clip.)

And, once again, I agree the best performance was rewarded. (Though I do not feel like praising him is uncomplicated.)

I wish I could find a video of Sir Mark Rylance’s beautiful speech on the importance of art in dark times, but I can’t. (He gave the Best Director award to Damien Chazelle.)

This was a pretty great Lifetime Achievement award presentation:

Although I still think Natalie Portman (or Viola Davis) gave the best Leading Actress performance this year, I do love an Emma Stone speech:

I do love La La Land and I knew it was going to win, but still think Moonlight being completely shut out is really sad:

So, not the most groundbreaking show ever, and the dresses were pretty subdued, a lot of black and white with some glitter thrown in. (There’s was also strange embroidery, but I didn’t love any of those.) Here were my favorites:

The Duchess of Cambridge in Alexander McQueen (Photo Credit: Tim Rooke/REX/Shutterstock) 

Emma Stone in Chanel Couture (Photo Credit: Telegraph)

Sam Taylor-Johnson with Aaron Taylor-Johnson in Tom Ford (Photo Credit: Chris Jackson/Getty Images)

Viola Davis in Jenny Packham (Photo Credit: David Fisher/REX/Shutterstock)

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Bryce Dallas Howard in Solace London (Photo Credit: Got Celeb)

Felicity Jones in Christian Dior (Photo Credit: AFP/Getty Images)

Awards Show Roundup: SAG Awards 2017

Even for an awards super fan like me, with all that’s going on in the world it felt a little weird to sit down and watch actors congratulate each other, but, my Hollywood coastal elite loves, took the platform and used it to speak out for good so, it was actually a really nice way to end the weekend.

Ashton Kutcher and Julia Louis-Dreyfus started the night out strong:

I don’t watch it any more, but I love that Orange is the New Black submits their entire 37 person ensemble, it’s always such a great moment:

To quote Denzel Washinton: Viola. Davis.

In case you haven’t taken my advice and watched Captain Fantastic yet, this might be some motivation now:

Power to the people, stick it to the man

Marhershala Ali made me cry, yes with his performance in Moonlight, but also with this speech:

I love Lily Tomlin, I want to be her when I grow up (and I’m glad I could find a video that didn’t include Dolly Parton’s boob joke filled introduction):

I really need to watch The Crown, because John Lithgow and Claire Foy are delights:

The kids from Stranger Things are adorable, still not watching that show though they did give the best speech ever:

Also, I just love Winona Ryder, she really went on a journey through this speech.

I think Natalie Portman should have won Best Actress, but I love Emma Stone, and I feel a real kinship with her, and this is the kind of speech I would give if ever called upon to:

I’m never going to complain about Denzel Washington winning an award, especially when he is genuinely surprised:

Look, I think Moonlight was robbed, but the Hidden Figures women gave a speech that made their win worth it:

And look, it was a weird night for fashion. Every time I thought, “Oh I like that dress,” and then it would have a strange flower applique, lace detail, or sheer panel. But here were some favorites:

Julia Louis-Dreyfus in Lela Rose (Photo Credit: Getty)

 

Annalise Basso in Bibhu Mohapatra (Photo Credit: Women’s Day)

Michelle Williams in Louis Vuitton (Photo Credit: Frazer Harrison/Getty Images)

Michelle Dockery in Elie Saab (Photo Credit: Rob Latour/REX/Shutterstock)

Bryce Dallas Howard in Dress the Population (it’s off the rack!) (Photo Credit: Frazer Harrison/Getty Images) 

Rasida Jones in Vivienne Westwood (Photo Credit: Getty) 

Emily Blunt in Roberto Cavalli (Photo Credit: WENN)

Kirsten Dunst in Dior (Photo Credit: AP)

 

Weekly Adventure: In Transit at Circle in the Square

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With all the craziness (and expense) of moving and the holidays and all my awards season movie, I haven’t been as focused on my Broadway lottos recently. So, I haven’t been to the theater in a while. But, I luckily have a wonderful woman I refer to as my New York godmother, who sometimes out of the blue emails me things like “Are you free to see In Transit some day next week?” And I was.

I didn’t know a ton about the show going in, except that it is the first all a capella musical on Broadway, which Baboo was very excited about as she had been in an a capella group in college. I cannot sing, but have always been a fan of people who can, so I was intrigued.

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Pre-show selfie to make my mom jealous

And the show was completely charming. The a capella blend is beautiful and the beat boxer at the center of it (played last night by Chesney Snow) has impressive range. I saw a review this morning that says this is like if Love Actually were a musical set in New York, and that captures it pretty beautifully.

The plot is a series of interlocking stories of New Yorkers on the subway dealing with loss (of love and career), ambition, and love. It’s not breaking any ground, but a few of the songs are genuinely moving. And the whole cast is incredibly talented. As Baboo would say they have a great “blend” and the soloists were all wonderful, particularly Aureilia Williams. (Side note: at one point she wears a dress made of Metro Cards, which would win a Project Runway, unconventional challenge in a heartbeat. It was amazing.)

(Photo Credit: Sara Krulwich/The New York Times)

As a big fan of the Broadway-centric web series Submissions Only it was also a thrill to see Colin Hanlon, who apparently just joined the cast as a replacement, in a very sweet story with Justin Guarini. (Who you probably know from the first season of American Idol, but for me will always be the guy who at the stage door of Women on the Verge of a Nervous Breakdown, repeated the sentence “It’s like being living art” to many times and Hanna and I couldn’t stop laughing.)

Anyway, the show is really fun, and definitely worth it. We got discount tickets, but the Circle in the Square is such an intimate house that there really isn’t a bad seat in the house.

 

And the Nominees Are 2017: Round 5

BAFTA nominations came out this week! Which means that in addition to the movies I saw in the last week, I have a few catch up posts, and an even longer list of things to see! So this may be a bit of a long one, but there’s some great stuff.

Weiner

Note: I wrote this review this summer, before the latest round of investigations into Anthony Weiner and their devastating implications for Hillary Clinton’s presidential campaign. Instead of rewriting it, I’m sharing it here as a time capsule of my initial thoughts on this film.

 

I’ll admit I went to this basically because I wanted to go to the IFC Film Center, but I’m glad I wandered in. Look, Anthony Weiner seems like a difficult person, but I think he genuinely would had good policies as a mayor. Though one with an anger management problem. The real story here isn’t why he sexted (obviously that’s some combination of lust, ego and a maybe pathological need to be adored) but why that’s unforgivable when others things aren’t. And more importantly its about how amazing his wife Huma is. Not for putting up with his crap (how and why she did is her business. Note: Though I’m glad she’s gotten out now) but for creating boundaries for herself and sticking to them even when there’s a documentary crew in her house. She’s me new definition of grace under fire.

 

Fantastic Beasts and Where to Find Them

If you’ve read this blog, or ever talked to me, you probably know that the Harry Potter stories (I almost wrote universe, but I don’t like that. Maybe the Harry Potter mythology?) are incredibly important to me. In other words, this movie was made for me. And it was a delightful return to a world that I love. Plus Eddie Redmayne & Colin Farrell are 2 of my all time favorite actors, so I’m happy to watch them run around New York (including the museum I used to work at!) reducing it rubble.

The magical creatures are wonderfully rendered. I especially love the platypus like creature who collects gold in a pouch, which google tells me is a niffler. And I loved the sequences where Newt (Redmayne) walks his new, no-maj (aka muggle) friend Jacob (Dan Fogler) around his suitcase taking care of his animals. It was a lovely touch of warmth and whimsy.

Which honestly was needed, because the main plot of this movie is very dark, and the anti-magic Second Salem crusaders are super creepy. No spoilers, but until something towards the end becomes clearer about him, I found it very hard to watch Ezra Miller‘s character Creedance (and don’t get me started on his creepy little sister…)

But, as always, in J.K. Rowling’s world at least, there is hope in the darkness (and its usually in the form of a smart woman – I loved Katherine Waterston as Tina!)

And while I am not happy at all about the casting of a domestic abuser as the franchise’s new villain, I am happy to see where the story goes from here.

Divines

I wanted to like this movie so much. It tells the story of 2 French girls of color, one the daughter of an imam, growing up in the equivalent of the projects. At first it was giving me Fish Tank vibes and I was so in. But, I don’t know if it was the mood I was in or my over empathizing problem, but I could not get over my, ultimately justified, fear for these girls.

At every step along the way I wanted to save them from their self destructive decisions. I understand the point that writer-director Houda Benyamina, was making about the truly bone crushing stagnation of poverty, but I ultimately didn’t enjoy watching their naive attempt at escape (through the emulation of a local female drug dealer) grind them even further into despair.

That being said, the two actresses at the center here, Oulaya Amamra and Déborah Lukumena were remarkable and Kevin Mischel added a lovely touch of romantic relief.

20th Century Women

I love the way Mike Mills tells stories. I loved Beginners and this felt like a true companion piece to that. Not just because Mills has said this is his love letter to his mom the way Beginners was to his Dad, but they feel cut from the same stylistic sloth. And I love that cloth.

It’s a mixture of collage, nonlinear storytelling and other technical tricks with real emotional depth and sly humor. Every character in this movie feels like a real, full person, even the ones that easily could have been jokes, like Billy Crudup‘s post-hippie handyman.

Annette Bening is quietly wonderful as the older, single mom of a 15 year old boy (Lucas Jade Zumann) who she feels unequipped to raise into a “good man,” (Because, “who even knows what that means any more?”) She enlists the help of his friend Julie (Elle Fanning), and renter Abbie (Greta Gerwig) and while her plan doesn’t quite work out they all do their best along with Crudup to form a family.

And its beautiful, and at times absurd, and I’m a little concerned about how much I want to wear all of Annette Bening’s costumes considering she’s  a fifty something women in this, but whatever, the 70s are in. Anyway, this is a beautiful film, filled with empathy, and you should all see it.

Don’t Think Twice

Mike Birbiglia is one of my favorite artists in any medium, his stand up and radio stories are like comfort food to me. And this movie has a lot of the qualities that I about about his work: wry, observational comedy, self-deprecation that doesn’t wallow its way into self-pity, and a deep empathy for the frailty of its characters.

This movie, Birbiblia’s second as writer-director, follows an improv group that starts the move as a family of lovable losers and tracks the changes that occur hen one of them gets hired on a (very thinly veiled) stand in for Saturday Night Live. 

I find improv very hard to watch. (I get so nervous for the performers!) but the performance scenes here act as great illustrations of the group dynamic. The whole cast is great and the story is realistic, painful and warm, and brutal and lovely. It’s an insightful depiction of how people define success differently for themselves and how that can be impossible to describe.

A Monster Calls

I wasn’t going to see this. I feel like the darkness of the trailer made me think it was going to be creepy, but it wasn’t at all. It was a lovely little fable about anger and loss and love.

I bet it was probably a children’s book (it was!) and the movies felt like walking through a fairy tale. The young boy at the center (Lewis MacDougall) has a great “British orphan” face, even though he doesn’t play an orphan. What I mean is he looks like a kid out of a Dickens adaptation. And this feels like it will take its rightful place in the long tradition of British children’s stories.

And, like a lot of those stories, this is pretty bleak. Connor has had to grow up very quickly, because his mother (the always lovely Felicity Jones) is dying of cancer, he’s bullied at school, and his dad, though generally kind, lives in a far away land (Los Angeles). His relief comes in the form of a Yew tree monster, delightfully voiced by Liam Neeson, who comes to help him come to terms with all of his conflicting emotions. It’s a tear jerker, and the animation is gorgeous. I feel like this isn’t getting the buzz it deserves. It’s definitely worth seeking out.

Julieta

Film nerd confession: until last night I don’t think I had ever actually seen a Pedro Almodóvar film. I knew all about him, knew I should probably watch Volver at some point, and had even seen the very underrated musical adaptation of Women on the Verge of a Nervous Breakdown during its brief Broadway run, but I hadn’t ever just sat down and watched one.

Well, I don’t know how Julieta fits in with his work obviously, but I can say that I liked it a great deal. Based on a few Alice Munro short stories, the film follows the title character backwards and forwards through her life, slowly solving the emotional mystery of how bright, young Julieta (Adriana Ugarte) becomes the secretly sad, middle aged woman (Emma Suárez).

Almodóvar paces melodrama like a thriller, suspense heightening score by (Alberto Iglesias) and all. I love stories about complicated women that still feel real and this is a good one. I’m definitely going to catch up with more of his work now.