Happy last weekend of the month! And, more importantly, welcome to the part of my badly sorted spreadsheet where I finally watch all the Best Picture winners that start with “The.” It only took me nine years!
Anyway, I paired this with a boozy mousse, based on a sense of Mad Men level of corporate drinking, and a recipe you can make in a tiny kitchen apartment, which turned out to pair very well with the film!
Had I seen this one before?
No, which I’m now so mad at myself about, because I loved it so much.
Top 3 observations on this viewing?
- I was telling my mom before watching this that I had seen it referenced in so many different ways in so many different contexts that I didn’t have any sense of its tone, which now having seen it makes sense, because it switches so effortlessly between farce and tragedy. It’s absurd, but populated with real, fully human characters. (I truly get the appeal of both Jack Lemmon and Shirley MacLaine now it a way I didn’t fully before.)
2. This is a great New York City movie. In art direction, yes, but also in the way it captures the ways that everyone is constantly improvising ways to survive the fact that there are too many people in not enough space. – Strain your pasta through a tennis racket! Sleep on a bench in Riverside park! Abuse your power to coerce an employee out of his apartment! Stay too late at a bar on Christmas Eve with a drunk jockey’s wife in a fur! You know, New York things!
3. This movie references 3 other Best Picture winners! Grand Hotel & Cimarron (I think), are on the TV when Lemon sits down to his bachelor dinner, and someone later talks about a “lost weekend,” which is also directed by Billy Wilder (which will be coming up here soon enough now that we are in the “the-s”). Obviously, I don’t think this was on purpose, but it was fun to spot.
What did it beat? Did it deserve to win?
Elmer Gantry – Never seen it, but love that Shirley Jones has an Oscar for it
Sons and Lovers – I’m not generally a D.H. Lawrence fan, but the lead of this is a James Dean doppleganger
The Alamo – Seen this so many times as a kid. I know it’s John Wayne conservative American propaganda, but also, I love it a little bit (caveat – I have not seen it since I was 10)
The Sundownders – I have never heard of this.
Clearly, I cannot judge really, except that The Apartment is pretty perfect, so I feel okay saying that this deserved the win
Bechdel test pass?
I don’t think so, technically, but maybe it squeaks by because Mrs. Dreyfuss talked to Fran about eating. But, more importantly, the fact that the women don’t talk to each other about the men, is by the active design of the men, and when they do start talking to each other the men’s house of cards collapses and it is truly beautiful to see.
Also beautiful, this mousse, I would recommend whipping the eggs before adding the sugar, I didn’t and it was a pudding consistency, rather than a mousse, but the flavor was good!
Ingredients
- 1.5 cups dark chocolate chips
- 1.5 cups heavy whipping cream
- 2 large egg
- 1/2 cup granulated sugar
- 1/4 cup B&B liquor
Directions
- Melt your chocolate chips over a double boiler (I still just use a heat safe mixing bowl over a saucepan)
- Set aside to cool
- Use a mixer to whip heavy cream until stiff peaks form
- Separate the eggs, discarding the yolks
- Once the chocolate is room temperature, fold into heavy cream, whip on high until thick and creamy
- In a separate bowl, whip egg whites, adding sugar gradually
- Mix until thick and sticky (about 3 minutes)
- With the mixer on high, add egg white mixture into chocolate cream
- Keeping the mixer on, slowly add liquor in 3 small pours
- Cover and refrigerate for at least an hour
- Remove from fridge and rewhip before serving to aerate
- *Note, clearly this dessert does not bake, so it will remain alcoholic