Awards Show Roundup: Indie Spirits 2024

A two show weekend! And over all, the Indie Spirits kept the fun of the SAGs the night before rolling.

There was, as it will become obvious in the clips below, a damper put on the afternoon by a group of anti-war activists who began playing a chant for Palestinian liberation over a loudspeaker outside of the show. For those of you who don’t know the Indie Spirits are held on a beach in a tent, so the chant was very much heard throughout the show. I’m conflicted about this, the message that protestors were promoting is a good one, and I see the power of disrupting a Hollywood event to bring more attention to the plight of people in Gaza. Fully on board. But I don’t know what the people in the tent were actually meant to do? They clearly weren’t going to just cancel the show, and although the flippant attempts at diffusing the situation with jokes didn’t work, I can see where the impulse behind them came from, and I have compassion for the team behind the show doing their best to keep it going. It feels ironic that the protestors were able to disrupt this show in particular where, though there are plenty of fancy Hollywood people, there are also a lot of struggling artists telling stories of the marginalized. Some of the winners did an admirable job of trying to address the incongruity, but it was a strange vibe.

Anyway, that being said, not that my opinion is worth anything, but I’m praying for a ceasefire and I hope my government will somehow find the bravery to change course towards peace.

It’s a weird pivot, but, let’s get back to the thing I’m much more equipped to comment on, frivolous discussion of film and pretty dresses.

Aidy Bryant was a fun host! Please more hosts that don’t hate awards shows!

I particularly loved the bit about being “bad at roasting” because I am bad a teasing (because I mostly think of it as being mean).

I continue to be glad that they are not segregating performing categories by gender, but think they should consider genre-segregation because 10 nominees and 1 winner feels wild to vote on!

That being said: Da’Vine! Has anyone ever swept this strongly through a season?

Nick Offerman started off with a giggle and then told homophobes to fuck off, which makes for a great acceptance speech:

Four Daughters is still on my too-watch list for the Oscars, but I pushed it up in priority because this director was wonderful:

Not ever going to watch The Last of Us, because even seeing pictures of those fungus monsters is enough to put my body into full convulsions, but this child was very cute in his little jacket-cape:

As a person who has sat through many an awful post-show Q&A at the IFC (best movie theater in America), I really appreciated this bit:

I think we should give Justine Triet an award each week so I can keep listening to her talk every day:

Samy Burch has a wonderful energy, and though I was ambivalent about May December, I hope that we find a way to make David Zaslav and Warner Brothers release the movie of her second screenplay, which they said they are going delete as a tax-write off, which fucking sucks and makes me so angry I want to cry. Anyway, she’s a delight:

Cord! I think, we might be giving him an Oscar in a couple of weeks! I’m not mad about it:

As you will hear, the protests began during the introduction for the Jury Duty‘s cast Best Ensemble Award, which was kind of a bummer, because they are really joyful and people didn’t yet know what was going on:

I just saw Fremont and it’s lovely and the director was the only one who reacted well in the moment to the protests:

Dominic Sessa won Best Breakthrough which is objectively and personally the right choice, but it also would have been hilarious for Marshawn Lynch to have an Indie Spirit Award:

I still need to see Showing Up, but the fact that Kelly Reichardt didn’t already have like 4 Robert Altman Awards feels wrong to me, so I’m glad we’ve rectified that:

Celine Song won best director!!!!!!!

Jeffrey Wright won best lead! And I am so excited that he got to have a moment on stage this season, because he is wonderful in American Fiction and his speech was lovely:

Past Lives win Best Feature! And, I will keep Indie Spirits on my list forever because it’s the kind of awards where Past Lives (my number one film of the year) can have it’s moment:

Fashion wise, this event is always weird, it’s in a tent on a beach, but it’s an awards show, it would be hard to style anyone for (and it is often hard to find designer info for looks…I do my best), but I did have a few favorites. I tend to like stranger looks for this one than the galas because if you can’t take a risk on Santa Monica Pier when can you?

Anne Hathaway in Valentino (Photo Credit: Kayla Oaddams/WireImage)
Rachel Sennot in her best Maureen from Rent designed by Balenciaga (Photo Credit: Kayla Oaddams/WireImage)
Samy Burch with Alex Mechanik (Photo Credit: Kevin Mazur/Getty Images)
Anna Kendrick (Photo Credit: Kayla Oaddams/WireImage)
Ali Wong (Photo Credit: Chelsea Lauren/Shutterstock)
Michelle Williams in Chanel (Photo Credit: Kayla Oaddams/WireImage/Getty)
A. V. Rockwell in Elie Saab (Photo Credit: Getty Images)
Jessica Chastain in Oscar de la Renta (Photo Credit: Kayla Oaddams/WireImage)
Lily Gladstone (Photo Credit: Monica Schipper/Getty Images)

Award Show Roundup: Oscars 2023

We made to the end of another awards season! Though the awards didn’t all go to my personal picks, it felt like a joyous night, and I’m very glad we aren’t being forced to all have a long weird discussion about whether or not it’s OK to slap someone at a work event. I even thought Jimmy Kimmel did a good job (though I got a little bored with how often he talked about how long the show was – the Oscars are once a year LET THEM BE LONG).

Also, where was Tom Cruise? He went to the nominee luncheon? I’m sure Jimmy wouldn’t have made an L. Ron Hubbard joke to his face? He and Nicole have both been there post-divorce…I don’t get it! But whatever, on to people who were there!

I don’t know why we started with Animated Feature, but love to watch Guillermo del Toro win Oscars, after his speech Tim turned to me and said, “Has he ever put a foot wrong?” and I think the answer is no:

Ke Huy Quan is a joy bomb, and I am very happy for him (though he was the male lead of his film and this is category error):

Jamie Lee Curtis deserves a victory lap, and though I do not think her part in this film was the most impressive in the category, the way people are acting like she tore that statue out of Angela Bassett’s hands is ridiculous. (Angela should have an Oscar of course, but Wakanda Forever is just fine…lets give her a true star vehicle!!). Jamie’s “Shut up” was pretty classic:

Navalny wasn’t my top documentary of the year, but I’m glad to see his family get their moment on this stage:

Cutest moment of the night goes to the Short Feature winners:

Then All Quiet on the Western Front won a bunch of things (including Score, which is insane because the music in that movie is as artful as a steam roller and their composer then talked slowly and for too long, and I started to think they were going to pull off some sort of upset). There was a good bit during the technical awards involving the bear from Cocaine Bear, and it was exactly the kind of timely joke that is going to be impossible to explain in 10 years and things like that are a big part of why I love the Oscars:

Please ignore the Twitter part at the end of this video – they are dumb people who don’t like enjoying things, Malala tweeted a Harry lyric later in the night, she is a person not a saint, everyone calm down.

Really loved having all the songs performed again! My personal favorite of the night was Gaga’s stripped down belting:

But, I am glad the award ultimately went to “Natu, Natu” because I love a production number:

And we got a Carpenters interpolation acceptance speech which I didn’t know I needed:

Ruth Carter is a legend (and the first black woman to win two Oscars!):

Look, I did not have the effusive reaction to Everything Everywhere All At Once, that seemed nearly universal otherwise, but The Daniels seem like really lovely, thoughtful guys, and I liked their speech for Original Screenplay (though that should be Martin McDonagh’s Oscar, and I just don’t think sweeps like this for any film are my favorite thing, I prefer the love to shared around a bit):

But more importantly than anything: SARAH POLLEY HAS AN OSCAR SARAH POLLEY HAS AN OSCAR ACADEMY AWARD WINNER SARAH POLLEY:

The Daniels director speech was also nice:

It makes sense that they went to Emerson.

I know that The Whale is *problematic* but I love love love Brendan Fraser and I want tot give him a hug (and more and better work):

Cate Blanchett gave the best performance by an Actress this year, but she has two Oscars and is Cate Blanchett, I do think it was an important moment for the Academy to give this award to Michelle Yeoh, and she knew the moment and rose to it and I love her:

I don’t want to harp on not liking something everyone loved, but it is a weird experience! I’m sure I’m missing the point of EEAAO, but now I’ll have a chance to reevaluate it when I get to it in the Best Picture Baking Project! (Returning soon!) But I did love watching this group of artists have so much fun all season (and I will love seeing them be there to present next year!)

Also, very fun to have Harrison Ford there to hug Ke Huy Quan!

I have such a long list of fun fashion! There was a lot of gauzy white (lace!) and sparkly black (sequins!) with the occasional pop of beautiful color. Bare with the long post, it’s the Oscars!

Michelle Yeoh in Dior Haute Couture (Photo Credit: Getty Images)
Ana de Armas in Louis Vuitton (Photo Credit: Getty Images)
Kerry Condon in Versace (Photo Credit: Getty Images/Daily Mail)
Stephanie Hsu in Valentino (Photo Credit: Getty Images)
Kate Hudson in Rodarte (Photo Credit: Getty Images)
Sandra Oh in Giambattista Valli Haute Couture (Photo Credit: Getty Images)
Elizabeth Olsen in Givenchy (Photo Credit: Getty Images)
Seth Rogen and Lauren Miller (Photo Credit: Getty Images)
Andrea Riseborough in Alexander McQueen (Photo Credit: Jutharat Pinyodoonyachet for The New York Times)
Michelle Williams in Chanel (Photo Credit: Getty Images)
Vanessa Hudgens in Chanel (Photo Credit: Angela Weiss/AFP via Getty Images)
Ava DuVernay in Louis Vuitton (Photo Credit: Jutharat Pinyodoonyachet for The New York Times)
Malala Yousafzai in Ralph Lauren (Photo Credit: Kayla Oaddams/Getty Images)
Caroline Lindy with Daniel Rohr (Photo Credit: ABC/Getty Images)
Monica Barbaro in Elie Saab Haute Couture (Photo Credit: Getty)
Justin Hurwitz (Photo Credit: Jutharat Pinyodoonyachet for The New York Times)

Award Show Round Up: SAG Awards 2021

I’m not sure why this show felt more like a group Zoom call than all the other shows this season that have essentially all been somewhat on Zoom, but it did. Maybe because they shortened the show to an hour and didn’t even try to have a host? I enjoyed the little interstitial interview sections, and I’m enjoying reading the stars themselves be excited about getting to chat with their fellow nominees, but it really wasn’t that much of an event as a show. Some fun winner surprises though! Here were my favorite moments:

I have finally started Ted Lasso, but this opening includes characters I have not yet met…so spoilers!

(Also gotta love a UCONN Women’s reference into a Muppets reference…)

The one thing that I really did enjoy about the Zoom screens, was how genuinely excited some of the groups were for each other, I loved Ethan Hawke’s “Nicely done Mark,” when Ruffalo won:

Speaking of Ted Lasso, I’m now fully on board with Jason Sudekis winning all of the awards, and I like that he has stepped up his sweater game:

Though I missed Catherine O’Hara’s hype-man/husband, I enjoyed her love for Annie Murphy very much in this speech:

I think this may be the last award that Schitt’s Creek was eligible for, which is bittersweet, but I love that the 3 Levys were together:

I’ve seen Judas and the Black Messiah now (blog update coming soon), but am now genuinely confused as to how the actors were categorized, but not at all confused at why Daniel Kaluuya is winning everything, because he should:

I’ve also finally watched Minari, and am overjoyed for Youn Yuh-jung, whose win is well deserved. (Also it means that the race for Best Supporting is like wide open for the Oscars, and you know I love that!)

Shout out to the relative with the iPhone photography in the background there.

Who is watching Ozark? Has anyone ever watched Ozark? It’s always being nominated for everything yet I never hear anyone talk about it otherwise…A Mystery.

On another mysterious note, I’m never going to be mad about good things for Viola Davis, but she is mis-categorized in Lead in my opinion, and I didn’t love the performance? But this win sets up another wild race for the remaining shows!

Simone Boseman continues to be very good at this impossible task:

Frank Langella gives a lovely speech on behalf of them, genuinely very talented ensemble of The Trial of The Chicago 7, but this award should be in the hands of the One Night In Miami… group, and I will die on this hill:

I continue to love the mix of dressing up and down and at home “red carpet” Instagram shoots for this weird awards season, last night’s fashion was mostly pretty traditional (something at happens at the in-person SAGs too, I think something about it being a Union show leads to more toned-down choices.)

Gillian Anderson in Dolce & Gabbana (Photo Credit: Greg Williams)
Viola Davis in Louis Vuitton (Photo Credit: Jamad)
Glenn Close in Oscar de la Renta (Photo Credit: @glennclose on Instagram/Shobella)
Zosia Mamet in Miu Miu (Photo Credit: Tommy Agriodimus)
Sarah Levy in Monique Lhuillier (Photo Credit: @mattymatty on Instagram)
Maria Bakalova in Dior (Photo Credit: Joseph Sinclair)
Karen Robinson in Badgley Mischka (Photo Credit: John McIntyre/KR Getty Images)

And the Nominees Are 2021: Round 4

For all my anxiety about how long the movie list is last week, I watched a bunch of really good (and weird) stuff this week! (It also helps that we are in the lull between nominations and the shows starts – BAFTA and Oscar nods always come after the prelim shows have started…)

The Personal History of David Copperfield

Despite having a long established love of costume drama, Dickens (outside of A Christmas Carrol) has never really ranked high in my excitement, but Dev Patel will get me to watch a lot of things. And I’m glad I watched this! The whole cast is delightfully bonkers and director Armando Iannucci adapted the brick of a novel into a quick, engaging story about self-creation and the power of narrative.

But the real draw here is Patel, he is so charming and manages to carry off 8 tones in the course of one scene. We really need to start casting him in more things.

The Mole Agent

Whatever great force brought together director Maite Alberdi and the subject of this documentary, Sergio Chamy, we should be giving thanks to it. This movie unfolds so perfectly, and is shot so beautifully, that I genuinely didn’t believe it could be non-fiction for the first half.

Sergio is hired by a private investigator to go undercover at a retirement home to investigate to possible mistreatment of a patient. Quickly, the spy-movie conceit drops away because “the mole agent” turns out to be an extraordinarily, lovely and compassionate person who begins “investigating” the lives of the residence instead. (AKA he actually listens to them when they talk about their lives.) Within days all the women are in love with him and it’s not hard to see why.

I’m pretty sensitive to the ways we often treat the elderly as either tragedies or jokes, if we don’t ignore them completely, so I was a little apprehensive about this, but its exactly the opposite of the exploitative story I feared. It’s on Hulu if you want to watch, truly heartwarming, but never saccharine.

The Prom

Is this essentially an overlong episode of “Glee” with inexplicable lighting? Yes.

Is it worth it just to see Meryl Streep do a full Patti LuPone impression and fall in love with Keegan-Michael Key? Almost.

Look, it’s too long and the score is only fine, but as a way to spend a weekend afternoon, it was fun.

Dick Johnson Is Dead

This is a hard one to describe, a documentary made by a daughter (Kirsten Johnson) about her father (the titular Dick Johnson) who is developing dementia. She’s terrified at losing him so she enlists him in a project of making a series of short films staging various ways that could die. (Which also includes a very funny montage of them trying to cast stunt men to step in for him.) It could be morbid (and at times it is), but both subject and director seem possessed of an exceptional amount of goodwill, and Dick’s sense of fun and spirit and Kristen’s love for him really come across in every frame. It’s a heartbreaker (obviously), but it’s also (maybe paradoxically), a joy.

Straight Up

An argument for including the Indie Spirits in my list again this year, this charming little alternative rom-com, was never going to get attention for the Academy, but I’m glad I watched it, even if it was kind of baffling. A blend of rapid fire dialogue and frank discussions of sexuality and OCD, it raises some really interesting questions about love and attraction and where the lines are (and aren’t) between them. It could have been tedious chemistry between James Sweeney and Katie Findlay was genuine and compelling. This is Sweeney (who also wrote and directed)’s first feature, and I’m definitely intrigued to see where he goes from here.

Best Picture Baking Project: No Country For Old Men

There were two movies on the Best Picture list that I have been dreading since I started this. The one people ask about it Silence of the Lambs (still years away thankfully), the other was this month’s movie. As another testament to how long I’ve been doing this the recipe I initially picked, something called “Gunfighter Cherry Cobbler” was on a cowboy cooking website that no longer exists, and I can find no other references on the internet to such a dish, so I made simple cherry cobbler instead and it turned out pretty well! Anyway, first, the movie:

Had I seen this one before?

Nope. This Oscar race was one of the last ones before I started really committing to seeing all the nominees, plus it’s way too violent for me.

Top 3 observations on this viewing?

  1. I was not misinformed about the violence, and the film doesn’t shy away from it (lots of blood spurting and oozing and other disgusting words) and it’s also an exceptionally tense viewing experience. Which isn’t to say that I hated watching it, (there’s a lot to appreciate, and I found the story and characters compelling) just that I was right about my reasons it wasn’t going to be my favorite Saturday afternoon film.
  2. Roger Deakins’s cinematography, particularly the long shots of the West Texas desert is breathtakingly gorgeous.

3. This is an exceptionally well cast movie, the main men of course, but also Kelly MacDonald and all the rest of the supporting players (most of whom only get one scene) all inhabit their roles so fully that I felt genuinely bad when they mostly met their violent ends. Which leads me to my biggest takeaway – the conversation around this movie always seems to center around Javier Bardem’s Anton Sigur, and how he’s this maybe sociopathic, nihilistic killer, so I assumed the movie would feel cold and vicious, but it doesn’t, the violence is omnipresent and visceral, but it isn’t glorified.

What did it beat? Did it deserve to win?

Atonement – Joe Wright makes beautiful films, but the ending of this book/movie is one of my biggest cultural pet peeves

Juno – I haven’t seen it in years, loved it when it first came out. We all knew it’s nomination was its award.

Michael Clayton – Never seen it. Love George Clooney & Tilda’s Oscar speech though.

There Will Be BloodOnce on a very bad date a man told me that I “couldn’t call myself a person who loved movies if I didn’t watch There Will Be Blood” so I still haven’t seen it.

I know that the debate rages between No Country & Blood. I obviously can’t take a side, but this is a great film that I am not mad won and I will never watch again.

Bechdel Test pass?

The website says it passes, but I think that’s a stretch. There is one conversation between two women that touches on some things that are not a man (medication, El Paso) but one of them is credited only as “mother,” though her name is written on the screen at one point. So…conditional pass, I guess.

All that said, I did really enjoy Kelly MacDonald’s performance. I was afraid from her introduction that she was going to be treated as a joke but she gives a lovely, grounded turn. (And she says one of my favorite lines.)

“The coin don’t have no say.”

Ok…cobbler!

Cherry Cobbler

Ingredients

  • 1/2 cup butter
  • 1 cup flour
  • 1 cup white sugar
  • 1 teaspoon baking powder
  • 1 cup milk
  • 21 oz can of cherry pie fillinf

Directions

  1. Preheat oven to 275F
  2. Place butter in a 9x13in baking dish
  3. Place pan on rack to melt
  4. Mix flour, sugar, and baking soda in a bowl
  5. Mix in milk
  6. As soon as butter is melted, remove from oven
  7. Increase oven temp to 350F
  8. Pour flour mixture into dish (Don’t stir. The website linked above says this like 3 times in all caps)
  9. Pour cherry filling evenly over pan (Again, don’t stir this)
  10. Bake for 50 min or until golden brown
  11. Serve with whipped cream or ice cream

Award Show Round Up: Oscars 2020

What a difference a year makes huh? My little corner of film Twitter is ecstatic with the results last night, instead of declaring the end of the Academy’s relevance over Green Book. Also, it was a fun show! Bogged down a bit by a ho-hum original song crop, but with enough genuine surprises and moments of emotion to keep me engaged through the whole thing.

The opening was so weird and I loved it:

Sincere Brad Pitt is so much better than the schtick he had been doing this whole season up to this point:

So excited that “Hair Love” won!

There were a lot of great Bong Joon Ho moments last night (and I’ll be sharing more) but I think my favorite is how much of a dork he was as his cowriter was accepting for Best Original Screenplay:

(Also Diane’s excitement for them is adorable!)

ACADEMY AWARD WINNER JACQUELINE DURRAN!

(I know she had won before, but it also means we can say Academy Award winning Little Women so that’s worth celebrating to me.

And my first tears of the night were from watching Dianne Ladd watch Laura Dern win an Oscar:

Also – I know I don’t recap the Independent Spirit Awards but you need to see this:

OK, back to last night, there were lots of montages, which I’m a huge fan of, particularly, when for no given reason they end with an Eminem performance that clearly thrilled people exactly my age and confused everyone else:

(Sorry about the poor quality – ABC hasn’t posted the full performance yet?)

A well deserved second Oscar for Sir Roger Deakins:

While we’re talking about 1917 I feel terrible about how hilarious it is that these three men won an Oscar and forever there will be two adults dressed as cats in the frame with them in every picture of the moment:

Cynthia Erivo can sing:

But…Bernie and Elton Forever:

I have no idea if the score for Joker is good, but I do know that this moment was important:

Bong Joon Ho’s Directing speech was one of the most gracious moments I can remember at an awards show:

Look, I know that thing about the cow is a bit much, but the moment when Joaquin tries to talk about River at the end of this speech is heartbreaking and I love him and I’m just really glad he has an Oscar and a fiancée and seems happy:

Renée rambled and I love her for it, since it also means its the Oscar speech in my memory to randomly thank firefighters (shoutout to Kathryn Bigelow):

THEN PARASITE WON BEST PICTURE!!!!!!!!!!!!!

Jane Fonda did a great job presenting that award, and the cheer from the crowd was thrilling. Love Cynthia’s nod and Joaquin’s extra large clap, just everything about this. And Tom and Charlene’s fight to being the lights back up.

Fashion-wise it was a night of fun sparkle and strange volume, but generally lovely glitzy.

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America Ferrera in Alberta Ferretti (Photo Credit: Getty Images) 

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Mindy Kaling in Dolce & Gabbana (Photo Credit: Getty Images)

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Beanie Feldstein in Miu Miu (Photo Credit: Getty Images) 

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Lily Aldridge in archival Ralph Lauren (Photo Credit: Getty Images) 

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Janelle Monáe in Ralph Lauren (Photo Credit: Getty Images) 

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Rebel Wilson in custom Jason Wu (Photo Credit: Getty Images) 

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Maya Rudolph in Valentino (Photo Credit: Getty Images)

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Natalie Portman in Dior Haute Couture (Photo Credit: Getty Images)

Also her cape is embroidered with the names of non-nominated female directors and I love that!

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Julia Louis-Dreyfus in Vera Wang (Photo Credit: Getty Images)

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Brie Larson in Celine (Photo Credit: Getty Images)

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Renée Zellweger in Armani Privé (Photo Credit: Getty Images) 

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Adam Driver in Burberry and Joanne Tucker in Oscar de la Renta (Photo Credit: Getty Images)

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Christine Lahti in Romona Keveza (Photo Credit: Getty Images)

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Sigourney Weaver in Dior Haute Couture (Photo Credit: Getty Images)

Award Show Round Up: BAFTAs 2020

OK, I’ll start with a confession: I didn’t actually watch the BAFTAs this year. I got invited to a Super Bowl party, and I got my timing wrong in trying to watch when it was airing in the UK through a VPN, so instead, I just followed along on Twitter and then found videos this morning, but I still think I can give you a good recap, but if there were any small moments in otherwise not important clips, I’m sorry that I missed them.

Anyway, Graham Norton is good at hosting things:

1917 obviously won big, as there is usually a slant towards the British and especially the historically British so obviously, but again, I think it’s very good. So I’m not mad.

I’m also not mad about Jacqueline Durran winning for Best Costumes for Little Women not only are her clothes gorgeous, Greta talked in this Vanity Fair clip she talked about how character driven the choices were and it makes me really happy to see that recognized: 

I continue to love Laura Dern, and also continue to pretend that she is winning these awards for Little Women and not Marriage Story, because though she is lovely in both, her character in the latter is so unrealistic to me:

Also very much enjoy Florence’s gasp for her in this clip.

I also love Taika Waititi (and I liked his movie quite a bit) but he’s holding Greta’s award. He does give a good speech though:

We got 2 Bong Joon Ho speeches!

(Also would kill QT to show like even polite happiness for him?)

Brad Pitt, despite not being there managed to still continue his “divorced-guy” comedy tour:

(Great cut to the Cambridges on that Harry line too!)

I love the Rising Star Award, and this year it did introduce me to a talent I was unaware of, can’t wait to check out Michael Ward’s work!

I’m super glad there is a Casting Award at BAFTA now and I would love for our Academy to add it as well, but I’m not glad the inaugural one went to Joker.

I’ve loved Sam Mendes for a long time, and I love Bong Joon Ho’s enthusiasm for him in this clip:

I can’t believe he never won a BAFTA before! I guess that his other awards movies have actually been about America…still, interesting.

Joaquin Phoenix obviously wins for speech of the night for addressing the all white acting categories:

Renée continues to be rambling and wonderful and I love her:

Then the least surprising thing happened:

This is my prediction for Best Picture next week, but there are enough split wins at the union awards that I’m really interested to see what happens!

Fashion wise, it was a continuation of the full volume and spangly cut out trends we’ve seen all season (some working more than others of course), here were my favs:

 

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Greta Gerwig in Gucci (Photo Credit: Getty Images)

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Zoë Kravitz in Saint Laurent (Photo Credit: Getty Images)

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Prince William, Duke of Cambridge with Catherine, Duchess of Cambridge in Alexander McQueen (Photo Credit: Getty Images)

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Kaitlin Dever in Miu Miu (Photo Credit: Getty Images)

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Amber Anderson (Photo Credit: Getty Images)

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Naomie Harris in Michael Kors Collection (Photo Credit: Getty Images) 

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Hildur Guonadottir (Photo Credit: Getty Images)

73rd British Academy Film Awards, Arrivals, Royal Albert Hall, London - 02 Feb 2020

Joshua Jackson with Jodie Turner-Smith in Gucci (Photo Credit: Matt Baron/Shutterstock)

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Laura Dern in Valentino Haute Couture (Photo Credit: Getty Images)

Award Show Round Up: Critics Choice 2020

Hey, it’s Oscar Nomination morning, and I’m seething from the snubs (you can read my thoughts, incoherently phrased on Twitter), but before we were all certain that The Academy thinks women aren’t the best directors, and mostly white people make movies, there was an awards show last night! Critics Choice is always a mess, it’s held in an aircraft hanger (?) and only about half of the nominees show up, but it also means there can be some fun moments since it feels a little loose.

That being said, the awards that chose to televise/announce beforehand or in commercial breaks made no sense…Greta won Best Adapted Screenplay! Yay! In a commercial break so she didn’t get to give a speech…Boo! Anyway my highlights:

The strange scheduling started right off with…opening with Best Actor? It went to Joaquin, as things are going to go for the rest of the season I think. He gave a very him speech, which I appreciated, because I cannot wait for him to get to an award show where they serve meat — what’s he going to do?

I’m going to pretend Laura Dern is winning for everything Little Women:

Announcing two categories at once is very weird, but Alex Borstein and Andrew Scott handled it as well as possible:

(SORRY I CAN’T FIND A VIDEO! I’ll update if one becomes available.)

I’m ambivalent about watching Succession, but Jeremy Strong seems like a good guy:

Eddie Murphy fully deserved a Lifetime Achievement Award:

I’m also very glad that Dolemite, Is My Name won Best Comedy, because it’s charming and was totally snubbed by the Academy.

I love Ava Duvernay:

I feel like Best Ensemble is great award for The Irishman since the best thing about it is that it got this group together:

(Let’s not let Al Pacino give any speeches for awhile OK?)

I’ve always loved the #SeeHer Award, and I love Kristin Bell:

Not going to share the video, but Quentin Tarantino coming up to accept Brad’s award for him when Lupita already had it handled is the most QT move ever.

I love Norman Lear:

(SORRY I CAN’T FIND A VIDEO! I’ll update if one becomes available.)

Jharrel Jerome is a treasure:

Love a J. Lo shoutout from Pheobe Waller-Bridge:

I love Renée Zellweger, and how she just lets herself be weird now:

I love a tie! They seem to happen more at Critics Choice than any other awards, also love a Bong Joon Ho speech:

You can’t tell from this clip, but he tied with Sam Mendes for 1917 which is interesting, because this does feel like an interesting race at this point for Oscar.

Once Upon a Time…in Hollywood is obviously not my pick for Best Picture, but I love Julia Butters, and that this too feels like an open race:

Fashion wise there were some weird cutouts and oddly placed embellishments, but also lots of fun color and pattern! (There isn’t enough pattern on red carpets in my opinion.) Here were my faves:

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Awkwafina in Elie Saab (Photo Credit: Getty Images) 

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Laura Dern in Emilia Wickstead (Photo Credit: Getty Images) 

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Florence Pugh in Prada (Photo Credit: Getty Images) 

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Nicole Kidman in Armani Privé (Photo Credit: Getty Images) 

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Alison Brie in Brandon Maxwell (Photo Credit: Getty Images)

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D’Arcy Carden in Tadashi Shoji (Photo Credit: Getty Images) 

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Lupita Nyong’o in Michael Kors Collection (Photo Credit: Getty Images) 

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Kaitlin Dever in Dior Haute Couture (Photo Credit: Getty Images) 

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Jenny Slate in Mulberry (Photo Credit: Matt Baron/Shutterstock) 

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Annabelle Wallis in Moschino (Photo Credit: Getty Images) 

 

 

Award Show Round Up: Golden Globes 2020

And we’re off! This is kind of a wild year, in that even though I have seen a lot of the nominees so far, I really didn’t know who was going to win the big awards going into last night. And there were some fun winners! And I guess I really need to find time for 1917 soon.

As for the show itself, I had fun watching it, but really could have done without Ricky Gervais, his brand of disdain for the enterprise felt fresh 10 years ago, but he’s no longer a scrappy outsider, he is also a rich, powerful famous person. He got a few good zingers in, but mostly, I found him boring.

Not boring, Ramy Youssef winning an award and reminding me I need to watch his show:

Cheers to Stellan Skarsgard’s eyebrows:

I would have given Foreign Language Film to The Farewell, but I would give every award possible to the The Farewell, and Bong Joon Ho gives a good acceptance speech:

Kate McKinnon’s speech to Ellen Degeneres (this year’s Carol Burnett Lifetime Achievement Award recipient) was my tearing up moment of the evening:

Elton John and Bernie Taupin are my favorite Hollywood marriage:

Patricia Arquette gave an important speech, and also wore her sunglasses all night, which is a move I appreciate:

Olivia Colman being slightly tipsy by the time her category came around was a gift to us all:

Tom Hanks is a class act and I love him:

I love a Michelle Williams speech, with a cut to Busy Phillips crying:

Look, I still find Quentin Tarantino to be a smug bastard, and I’m not sure I see Once Upon a Time…in Hollywood as the best comedy of the year, but I do love Brad Pitt:

Elton John’s giddy joy for Taron Egerton is so pure and lovely:

AWKAWFINA!!!!!!!!!!!!!!

I’m not going to see Joker but I will always love Joaquin Phoenix for being the glorious weirdo he is, who prompted two friends to text me last night to ask if he was drunk. (For the record, he’s publicly in recovery and I think he was sober, he’s just an odd guy):

I love Renée Zellweger, I love that she’s back, and I love that she’s full Texan:

And then a movie no one has seen yet won Best Drama:

Fashion wise it was a mixed bag of a night, lots of strange bows and weird cutouts, but some standouts:

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Laura Dern in Saint Laurent (Photo Credit: Getty)

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Rachel Brosnahan in Michael Kors Collection (Photo Credit: Getty Images)

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Renée Zellweger in Aramni Privé (Photo Credit: Getty Images)

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Taylor Swift in custom Etro (Photo Credit: Getty Images)

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Beanie Feldstein in Oscar de la Renta (Photo Credit: Getty Images)

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Busy Philipps in Monique Lhuillier (Photo Credit: Getty Images)

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Saoirse Ronan in Celine by Hedi Slimane

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Ana de Armas in Ralph & Russo (Photo Credit: Steve Granitz/WireImage)

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Helen Mirren in Dior Haute Couture (Photo Credit: Getty Images)

 

 

Award Show Round Up: Oscars 2019

You know, the fact that Green Book won Best Picture, was an unpleasant surprise at the end of the night, but let’s not let that leave a bad taste in our mouths. In general, last night’s show was pleasant and fun and there were some wonderful, history making winners.

(For the record, I do not hate Green Book, but it was pretty clearly a strange choice for best movie of the year. But…at least it wasn’t Vice.) Anyway, on to better things.

For the most part I didn’t find the lack of host to be a lack at all. There are few better ways to open anything than this song:


(Also it was fun to watch which stars were really rocking out in the crowd.)

And these ladies did a great job kicking off the awards presentations:

(If we are going to return to hosts next year – not that we need to – these 3 should do that.)

Another good way to start anything: GIVE REGINA KING AN OSCAR!!!!

Everything about the costume awards presentation was epic (especially the historic winner):

Keep the good Black Panther feelings flowing for the Production Design ground breaker:

(Also I saw a tweet last night asking if the director didn’t know where Ryan Coogler was sitting or something? Why were they never cutting to him?)

I’m going to go out of order here, but like, Alfonso Cuaron got to give a lot of speeches last night, and I liked all of them. (I only wish he also got to give the final one, but we can’t everything):


(Also love how much Angela and Javier relished rolling that R.)
“There are no waves there is only the Ocean,” is also a great philosophy for looking at art.

I also LOVE that Guillermo was there to present this to Alfonso, their friendship has always made me really happy and that hug was wonderful.

Mahershela Ali is a class act who I am always happy to see get lauded, but he’s holding Richard’s Oscar:

I didn’t see Buster Scruggs but I liked our little Western moment last night:

This was a fun moment:

But my favorite duo of presenters are these awards dorks:

My first tears of the night:

And then the second:

(Sorry about the captions, the Academy was better about uploading speeches this year, but not performances for some reason…) And yes, I see all your tweets about how their chemistry is incendiary. But to quote Katey Rich, “In this house we respect Irina Shayk!”

ACADEMY AWARD WINNER SPIKE LEE LADIES AND GENTLEMAN!:

The least surprising win of the night (totally deserved of course):

And the most. Look, I love Olivia, I really really do, but what does Glenn have to do? Kill and skin a horse?

(Also – I know his speech wasn’t perfect and he should have thanked Freddie more directly, but I love Rami and I especially love that he and Lucy Boynton are in love and so this speech warmed my heart a lot):

This blog is a Peter Farrelly free zone, so I will not be posting the video of Best Picture. So, let’s move onto fashion. It was a night of a lot of fluffy pink (like a lot) of fluffy pink, but there were a lot of great gowns!

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Constance Wu in custom Versace (Photo Credit: Jeff Kravitz/FilmMagic)

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Yalitza Aparicio in Rodarte (Photo Credit: Frazer Harrison/Getty Images)

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Regina King in Oscar de la Renta (Photo Credit: Frazer Harrison/Getty Images)

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Glenn Close in Carolina Herrera (Photo Credit: Jay L. Clendenin/LA Times)

Give this woman a fucking Oscar.

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Melissa McCarthy in Brandon Maxwell (Photo Credit: Getty/Steve Granitz)

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Helen Mirren in Schiaparelli Haute Couture (Photo Credit: Getty Images/Nielson Barnard)

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Emma Stone in Louis Vuitton (Photo Credit: Jordan Strauss/Invision/AP)

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Lucy Boynton in Rodarte (Photo Credit: Steve Granitz/WireImage)

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Danai Gurira in Brock Collection (Photo Credit: Getty Images)